发表于2024-11-21
The Culture of Curating and the Curating of Culture 2024 pdf epub mobi 电子书
A cautious overview of curating trends that surveys the arguments for and against its rising prominence in how art works are mediated for audiences. The title is a little misleading as it does not go into detail about what culture curating/curating culture ...
评分A cautious overview of curating trends that surveys the arguments for and against its rising prominence in how art works are mediated for audiences. The title is a little misleading as it does not go into detail about what culture curating/curating culture ...
评分A cautious overview of curating trends that surveys the arguments for and against its rising prominence in how art works are mediated for audiences. The title is a little misleading as it does not go into detail about what culture curating/curating culture ...
评分A cautious overview of curating trends that surveys the arguments for and against its rising prominence in how art works are mediated for audiences. The title is a little misleading as it does not go into detail about what culture curating/curating culture ...
评分A cautious overview of curating trends that surveys the arguments for and against its rising prominence in how art works are mediated for audiences. The title is a little misleading as it does not go into detail about what culture curating/curating culture ...
图书标签: 策展 艺术 文化 Curatorial 美术馆 PaulO'Neill 必读 博物馆
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions--large-scale, temporary projects with artworks cast as illustrative fragments--came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated--and authorized--the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
很棒的专门讨论curatorial的文章!第二篇从curator的角度切入讲艺术的globalization和globalism,reference的量很惊人,行文精炼流畅,大赞。
评分讲述策展文化发展很到位。就是部头有点大,一些专访摘录再加上作者自己理解就太冗杂了。
评分策展在向着关于策展人的展览,展览本身作为一次艺术行为,以及话题性展览的方向发展
评分策展在向着关于策展人的展览,展览本身作为一次艺术行为,以及话题性展览的方向发展
评分很棒的专门讨论curatorial的文章!第二篇从curator的角度切入讲艺术的globalization和globalism,reference的量很惊人,行文精炼流畅,大赞。
The Culture of Curating and the Curating of Culture 2024 pdf epub mobi 电子书