The experimental and diverse writings of John Milton's early career offer tantalizing evidence of a precocious and steadily ripening author. Traditionally scholars have looked to Poems 1645 for evidence of his development as a poet and its bearing upon his career as a prose writer for over two decades, but such an approach has sometimes obscured and more often ignored the unique accomplishment of Milton's early career by characterizing his juvenilia as self-conscious writing designed to chronicle artistic progression. Young Milton seeks to fill a scholarly void regarding Milton's early Latin and English writing (there has been no volume exclusively focused on his writing of the 1620s, 1630s, and the first years of the 1640s). For the most part the essays in this collection reject the idea of a linear development in favor of achievement of various kinds, unequal in merit, and not predicated upon maturation over time. Such maturity indeed may occur, but the early writing of Milton results from a wide variety of occasions-religious holidays; family celebrations; grammar school exercises and university requirements; the deaths of family members, ministers, university officials, and personal friends; aristocratic celebrations and commissions. This occasionality challenges the argument for the young author's uniform progress. The writings explored include Lycidas, one of the most celebrated elegies ever written in English, and The Passion, an unfinished poem declared by its author to involve a subject beyond his grasp.
Since his appointment as an assistant editor to the Milton Quarterly in the late 1970s, Edward Jones has been exposed to what Christopher Hill has called the `Milton Industry'. Jones has taken on the challenge of staying current while publishing in an area of Milton studies that has been largely abandoned (archival records produced by the church, state, and parish). As associate and senior editor, and since 2005, when he succeeded the founding editor of MQ, he has continued to play an integral role in publishing young and veteran scholars. His on-going archival work led to his assignment to prepare a new edition of Milton's letters of state for the Clarendon Milton and serve as the volume editor for Milton's miscellaneous writing. As a Professor of English at Oklahoma State, he has taught Milton to the curious and the dubious, served on the executive committee and as president of the Milton Society of America, and has presented his work at various forums both in the US and abroad.
Contributors:
Cedric C. Brown, University of Reading
Blaine Greteman, University of Iowa
Edward Jones, Oklahoma State University
Sarah Knight, University of Leicester
John Leonard, University of Western Ontario
Jeffrey Alan Miller, Magdalen College, Oxford
William Poole, New College, Oxford
Noam Reisner, Tel Aviv University
Stella P. Revard, Southern Illinois University, Edwardsville
Thomas Roebuck, Magdalen College, Oxford
Christopher Tilmouth, Peterhouse
Andrew Zurcher, Queens' College, Cambridge
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评分我必须赞扬一下这本书的整体氛围营造能力。从头到尾,它都维持着一种独特的基调,这种基调是复杂的,既有历史的厚重感,又时不时闪烁着一丝难以捉摸的希望之光。作者对背景设定的投入是巨大的,每一个细节都似乎经过了严谨的考证和巧妙的艺术加工,构建了一个栩栩如生的世界。在阅读过程中,我能清晰地感受到作者对叙事节奏的精准掌控,高潮部分的处理尤其精彩,那种张力让人屏息凝神,而转折处的细腻处理又让人感到丝丝入扣。总的来说,这是一部需要细细品味的作品,它不仅仅满足了阅读的娱乐需求,更在精神层面给予了读者丰厚的滋养。
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评分《Young Milton》这本书的名字听起来就让人浮想联翩,我拿到手的时候,心里充满了期待。首先映入眼帘的是它那古朴又带着一丝现代气息的封面设计,色彩搭配得恰到好处,让人忍不住想一探究竟。这本书的排版非常舒服,字号大小适中,行距也比较宽松,即便是长时间阅读也不会感到眼睛疲劳。 我一翻开书,首先注意到的是作者的叙事风格,简直是行云流水般自然流畅,没有丝毫的矫揉造作。故事的开篇就迅速抓住了我的注意力,它用一种近乎诗意的笔触描绘了一个引人入胜的场景,让我仿佛身临其境,感受到了那个特定时期的氛围。文中的人物塑造也是极其成功的,每一个角色都有自己独特的个性和鲜明的色彩,他们的动机和内心的挣扎都被刻画得入木三分,让人在阅读过程中不断地思考和共鸣。我特别欣赏作者在处理复杂情感时的细腻,那些微妙的心理变化,那些欲言又止的话语,都通过精妙的文字表达了出来,让人回味无穷。
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