Andrey A. Tarkovsky is the director’s son.
Hans-Joachim Schlegel is a film historian and editor and translator of the writings of Sergei Eisenstein and Andrey Tarkovsky.
Lothar Schirmer is a renowned publisher based in Munic
Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses.
Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.
He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.
This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’
Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time’. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.
好沉 能藉齣來真好。
评分本書有一半電影渣畫質截圖,前麵的書信文章還勉強看,驚喜在後麵的傢庭相簿和寶麗來以及尾聲的照片。
评分本書有一半電影渣畫質截圖,前麵的書信文章還勉強看,驚喜在後麵的傢庭相簿和寶麗來以及尾聲的照片。
评分劇照質量大傢有目共睹。文章就感覺也沒什麼看頭,除瞭塔自己寫的那些,當然不包括從雕刻時光裏麵之間搬來的那好幾頁。至於後麵的Polaroids和instant light一樣讓我無感,唯一能看的就是傢庭照瞭欸
评分不過大半本的盜版碟像素截圖真是不夠誠意
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