Picasso's Les Demoiselles d'Avignon has long been recognized as one of the most significant paintings of the twentieth century. This volume brings together essays from a variety of methodological and topical perspectives. Yves-Alain Bois finds in the painting the presence of trauma and opens the way to a psychoanalytical exploration. Tamar Garb asks what it could mean to women, focusing on Gertrude Stein as one of the painting's first spectators, while Patricia Leighten uses post-colonial theory to explore its conjunction of prostitution and African themes. Christopher Green asks what the confrontation of the European and the non-European could signify and whether this Picasso work can still be meaningfully linked to the grand narrative of modernist history. Through these various analyses, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth-century art history as a whole and debates over Primitivism, sexuality, and stylistic change.
具體描述
讀後感
用戶評價
下次去MoMa希望能看到這幅有意思的畫。
评分下次去MoMa希望能看到這幅有意思的畫。
评分yve alain bois那篇的價值相對高，其他的文章僅是informative或者一些一般的新角度，不過重新看現代主義批評對這幅畫的諸多闡釋仍然是有意義的。
评分下次去MoMa希望能看到這幅有意思的畫。
评分yve alain bois那篇的價值相對高，其他的文章僅是informative或者一些一般的新角度，不過重新看現代主義批評對這幅畫的諸多闡釋仍然是有意義的。
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