Peking Opera and Politics in Taiwan

NANCY GUY is an associate professor of music at the University of California, San Diego.

出版者:University of Illinois Press

作者:Nancy Guy

页数:240

出版时间:2005-6-27

价格:USD 37.00

装帧:Hardcover

isbn号码:9780252029738

图书标签:社会学戏曲sociology

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Peking Opera and Politics in Taiwan tells the peculiar story of an art caught in a sea of overtly ideological ebbs and fiows. Nancy Guy demonstrates the potential significance of the political environment for an art form's development, ranging from determining the smallest performative details (such as how a melody can or cannot be composed) to whether a tradition ultimately thrives or withers away.

When Chiang Kai-Shek's Nationalists retreated to Taiwan in 1949, they brought Peking opera performers with them to strengthen their authority through a symbolically important art. Valuing mainland Chinese culture above Taiwanese culture, the Nationalists generously supported Peking opera to the virtual exclusion of local performing traditions, despite their wider popularity. Later, as Taiwan turned toward democracy, the island's own "indigenous" products became more highly valued and Peking opera found itself on a tenuous footing. Finally, in 1995, all of its opera troupes and schools (formerly supported by the Ministry of Defense) were dismantled.

Nancy Guy investigates the mechanisms through which Peking Opera was perpetuated, controlled, and ultimately disempowered, and explores the artistic and political consequences of the state's involvement as its primary patron. Her study provides a unique perspective on the interplay between ideology and power within Taiwan's dynamic society.

用户评价

Nancy在课上承认当年她对弯弯有同情，但实际上她同情的主要是在风雨中东摇西摆的艺术家。这一点而言，两边没什么不一样。

Nancy在课上承认当年她对弯弯有同情，但实际上她同情的主要是在风雨中东摇西摆的艺术家。这一点而言，两边没什么不一样。

Nancy在课上承认当年她对弯弯有同情，但实际上她同情的主要是在风雨中东摇西摆的艺术家。这一点而言，两边没什么不一样。

Nancy在课上承认当年她对弯弯有同情，但实际上她同情的主要是在风雨中东摇西摆的艺术家。这一点而言，两边没什么不一样。

Nancy在课上承认当年她对弯弯有同情，但实际上她同情的主要是在风雨中东摇西摆的艺术家。这一点而言，两边没什么不一样。