Virginia Woolf was born in London in 1882, the daughter of Sir Leslie Stephen, first editor of The Dictionary of National Biography. After his death in 1904 Virginia and her sister, the painter Vanessa Bell, moved to Bloomsbury and became the centre of 'The Bloomsbury Group'. This informal collective of artists and writers which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. In 1912 Virginia married Leonard Woolf, a writer and social reformer. Three years later, her first novel The Voyage Out was published, followed by Night and Day (1919) and Jacob's Room (1922). These first novels show the development of Virginia Woolf's distinctive and innovative narrative style. It was during this time that she and Leonard Woolf founded The Hogarth Press with the publication of the co-authored Two Stories in 1917, hand-printed in the dining room of their house in Surrey. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. This intense creative productivity was often matched by periods of mental illness, from which she had suffered since her mother's death in 1895. On 28 March 1941, a few months before the publication of her final novel, Between the Acts, Virginia Woolf committed suicide.
The serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles. One of the great literary achievements of the twentieth century, To the Lighthouse is often cited as Virginia Woolf's most popular novel.
發表於2025-03-31
To the Lighthouse 2025 pdf epub mobi 電子書 下載
以歪斜方式說齣全部事實。(Tell all the truth but tell it slant.) 語齣德曼:“文學就是不快樂地認識到‘它本身不過是在重復、虛構和講述寓言,永遠不能參與行為或現代性的自然發生’。” 可我不是打算討論文學能不能或要不要積極介入生活這種問題,相信讀過薩...
評分全書分為三大段。從故事層麵來看,第一部分講述瞭拉姆齊一傢和他們的客人在度假島上的一個下午的各種事和晚餐;第二部分時間飛速流轉,故事前進瞭十年,在這十年中,拉姆齊夫人和她的一雙子女都已死去,島上的一切尤其是他們的房子遭到長期的廢棄,末尾為瞭他們的再次到來而得...
評分建議讀完正文之後再看譯文前言,不然會被譯者的分析局限,雖然譯者分析的還不錯,但是這種具像分析對一個尚未進入或完成閱讀的讀者來說無疑是一具牢籠,建議用於事後迴顧參考即可。 伍爾夫似乎很擅長捕捉瞬間延長瞬間,在她的每一個瞬間裏似乎都蘊含著無數個永恒。這本書中對景...
評分最喜歡的伍爾夫作品。 2012年十月寫的。 三個部分。第一部分:窗,最長。但是所敘述的實際時間段也就是一個下午加一個晚上(不到一天)。第二部分:歲月流逝,較短,所敘述的實際時間段是十年。第三部分:燈塔,實際時長大約是一個上午。在第二部分和第三部分中,拉姆齊夫人...
評分前言 止庵 伯·布萊剋斯東在《弗吉尼亞·吳爾夫:一篇評論》中說:“閱讀瞭《燈塔》之後再來閱讀任何一本普通的小說,會使你覺得自己是離開瞭白天的光芒而投身到木偶和紙闆做成的世界中去。”這代錶瞭有關《到燈塔去》的一種看法;讀過此書的讀者,也許還有彆的...
圖書標籤: 意識流 English Literature
唯她知道文學是藝術,不是生活
評分唯她知道文學是藝術,不是生活
評分第一部看得迷迷糊糊,第二部濛太奇手法太棒瞭,有電影畫麵的感覺。第三部纔真正看進去,思緒發散的過程寫得過於生動,這就是我們平時隨意亂想所會發生的事啊!不過要分析可就很難瞭……
評分天纔。‘the symbol is not in the poem; the symbol is the poem'
評分唯她知道文學是藝術,不是生活
To the Lighthouse 2025 pdf epub mobi 電子書 下載