The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished new translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.
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虽然封面丑，但是翻译的也真牛逼
评分man's profound gift for the tragic
评分让我去屎好了 - -
评分彼时的尼采还在学校里任教，瓦格纳还是他的精神导师。但他的写作也不是学院的风格，充满了年轻的豪情和多愁善感，少了点哲学家的节制，在瓦格纳的门徒这个身份里欢呼雀跃，难以自已。借着讨论音乐形而上学，在叔本华的指引下，尼采要肯定生命意志，抨击苏格以来的科学的乐观主义。尼采说，作为人类，我们要有看到深渊的勇气，不要让以科学“发现”织罗的虚幻迷惑。
评分让我去屎好了 - -
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