Richard Ford's Independence Day--his sequel to The Sportswriter, and an international bestseller--is the only novel ever to have received both the Pulitzer Prize and the PEN/Faulkner Award. Now, with Women With Men , he reaffirms his mastery of shorter fiction with his first collection since the widely acclaimed Rock Springs , published a decade ago.
The landscape of Women with Men ranges from the northern plains of Montana to the streets of Paris and the suburbs of Chicago, where Mr. Ford's various characters experience the consolations and complications that prevail in matters of passion, romance and love. A seventeen-year-old boy starting adulthood in the shadow of his parents' estrangement, a survivor of three marriages now struggling with cancer, an ostensibly devoted salesman in early middle age, an aspiring writer, a woman scandalously betrayed by her husband--they each of them contend with the vast distances that exist between those who are closest together. Whether alone, long married or newly met, they confront the obscure difference between privacy and intimacy, the fine distinction of pleasing another as opposed to oneself, and a need for reliance that is tempered by fearful vulnerability.
In three long stories, Richard Ford captures men and women at this complex and essential moment of truth--in the course of everyday life, or during a bleak Thanksgiving journey, seismic arguments, Christmas abroad, the sudden disappearance of a child, even a barroom shooting. And with peerless emotional nuance and authority he once again demonstrates, as Elizabeth Hardwick has written, "a talent as strong and varied as American fiction has to offer."
具体描述
读后感
“Women with Men”从语法上看，主语应是女人，而with men则属对women的修辞。男人之处于从属或次等重要地位的特点，的确贯穿了全书，尽管书中全部三篇文章的叙述都采用了男人的视角，但读者看到的，却始终是形形色色的女人对这些男性的影响。在这些男人/少年的描述里，女人永...
评分“Women with Men”从语法上看，主语应是女人，而with men则属对women的修辞。男人之处于从属或次等重要地位的特点，的确贯穿了全书，尽管书中全部三篇文章的叙述都采用了男人的视角，但读者看到的，却始终是形形色色的女人对这些男性的影响。在这些男人/少年的描述里，女人永...
评分“Women with Men”从语法上看，主语应是女人，而with men则属对women的修辞。男人之处于从属或次等重要地位的特点，的确贯穿了全书，尽管书中全部三篇文章的叙述都采用了男人的视角，但读者看到的，却始终是形形色色的女人对这些男性的影响。在这些男人/少年的描述里，女人永...
评分“Women with Men”从语法上看，主语应是女人，而with men则属对women的修辞。男人之处于从属或次等重要地位的特点，的确贯穿了全书，尽管书中全部三篇文章的叙述都采用了男人的视角，但读者看到的，却始终是形形色色的女人对这些男性的影响。在这些男人/少年的描述里，女人永...
评分“Women with Men”从语法上看，主语应是女人，而with men则属对women的修辞。男人之处于从属或次等重要地位的特点，的确贯穿了全书，尽管书中全部三篇文章的叙述都采用了男人的视角，但读者看到的，却始终是形形色色的女人对这些男性的影响。在这些男人/少年的描述里，女人永...
用户评价
“I try to connect emotions to experience in a way that is different from what convention tells us is true.” Richard Ford夫子自道啊。即便夫妻，上卫生间也崇尚关门，在我理解，这个动作亦可被视为爱的表征~
评分hehe
评分“I try to connect emotions to experience in a way that is different from what convention tells us is true.” Richard Ford夫子自道啊。即便夫妻，上卫生间也崇尚关门，在我理解，这个动作亦可被视为爱的表征~
评分“I try to connect emotions to experience in a way that is different from what convention tells us is true.” Richard Ford夫子自道啊。即便夫妻，上卫生间也崇尚关门，在我理解，这个动作亦可被视为爱的表征~
评分“I try to connect emotions to experience in a way that is different from what convention tells us is true.” Richard Ford夫子自道啊。即便夫妻，上卫生间也崇尚关门，在我理解，这个动作亦可被视为爱的表征~
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