The eighteenth-century Hongloumeng, known in English as Dream of the Red Chamber or The Story of the Stone, is generally considered to be the greatest of Chinese novels--one that masterfully blends realism and romance, psychological motivation and fate, daily life and mythical occurrences, as it narrates the decline of a powerful Chinese family. In this path-breaking study, Anthony Yu goes beyond the customary view of Hongloumeng as a vivid reflection of late imperial Chinese culture by examining the novel as a story about fictive representation. Through a maze of literary devices, the novel challenges the authority of history as well as referential biases in reading. At the heart of Hongloumeng, Yu argues, is the narration of desire. Desire appears in this tale as the defining trait and problem of human beings and at the same time shapes the novel's literary invention and effect. According to Yu, this focalizing treatment of desire may well be Hongloumeng's most distinctive accomplishment.</p>
Through close readings of selected episodes, Yu analyzes principal motifs of the narrative, such as dream, mirror, literature, religious enlightenment, and rhetorical reflexivity in relation to fictive representation. He contextualizes his discussions with a comprehensive genealogy of qing--desire, disposition, sentiment, feeling--a concept of fundamental importance in historical Chinese culture, and shows how the text ingeniously exploits its multiple meanings. Spanning a wide range of comparative literary sources, Yu creates a new conceptual framework in which to reevaluate this masterpiece.</p>
What Anthony C. Yu’s Rereading the Stone affords is more than an innovative reading of HLM; it is also to my knowledge the most insightful reading of the readings of the Qing masterpiece up to this point. I take the title’s self-claimed “re-reading” as ...
評分Chapter three of Anthony Yu’s book Re-reading the Stone This chapter is divided into four sections. The first one is The Stone of Fiction, in which Anthony Yu argues that the narrative is a story about a piece of Stone being the protagonist; the Stone bei...
評分What Anthony C. Yu’s Rereading the Stone affords is more than an innovative reading of HLM; it is also to my knowledge the most insightful reading of the readings of the Qing masterpiece up to this point. I take the title’s self-claimed “re-reading” as ...
評分What Anthony C. Yu’s Rereading the Stone affords is more than an innovative reading of HLM; it is also to my knowledge the most insightful reading of the readings of the Qing masterpiece up to this point. I take the title’s self-claimed “re-reading” as ...
評分Chapter three of Anthony Yu’s book Re-reading the Stone This chapter is divided into four sections. The first one is The Stone of Fiction, in which Anthony Yu argues that the narrative is a story about a piece of Stone being the protagonist; the Stone bei...
這本書的結構安排,我必須承認,一開始讓我感到有些不知所措,它更像是一係列精心編排的濛太奇鏡頭序列,而非傳統的綫性故事發展。每一個章節或片段,都像是一個獨立的小宇宙,充滿瞭奇異的意象和跳躍的邏輯,讓人不得不停下來,反復咀悅其中的每一個符號。我嘗試用我以往閱讀小說或散文的習慣去套用它,結果完全失敗瞭,這讓我感到瞭一種久違的挫敗感,但正是這種挫敗感,打開瞭新的通道。作者對於“非連續性”的運用達到瞭爐火純青的地步,他似乎並不在乎提供明確的答案或清晰的路徑,他更感興趣的是如何構建一個能夠容納多種解讀、甚至相互矛盾的解讀的空間。讀到精彩處,我感覺自己的思維正在被拉伸、被扭麯,試圖去適應這種非標準的節奏。這絕對不是一本可以“放鬆地”閱讀的書,它需要全身心的投入和持續的警覺,但迴報是豐厚的——它重塑瞭我對“敘事”本身的期待。
评分這本書的文字簡直像一道閃電,一下子劈開瞭我心中對某種既有認知結構的所有不以為然。它並非那種故作高深的哲學論述,而是將一種近乎原始的、對存在本身的睏惑,用一種極其剋製卻又飽含張力的語言錶達齣來。我尤其欣賞作者對於“間隙”的捕捉,那些沒有被言說、沒有被記錄的空白之處,纔是真正承載意義的容器。每一次閱讀,都像是在重新校準自己的感官,去聽那些日常噪音之下隱藏的、更深層次的共振。它迫使我跳齣自己習慣的敘事框架,去審視那些被時間磨損、被習慣同化的日常碎片,發現其中蘊藏的巨大能量。與其說是在閱讀文字,不如說是在進行一場內心的考古,挖掘齣那些被我遺忘的、關於“如何感受世界”的原始衝動。這本書的後勁極大,讀完後很長一段時間,看任何事物都會帶著一種莫名的、審慎的敬畏感,仿佛一切事物都比錶麵看起來要復雜和微妙得多。我很少遇到能如此精準地觸碰到人類“知與行”之間那道鴻溝的作品。
评分這本書的“聲音”極其獨特,它不是那種高亢激昂的宣言,而是更像低語,是某種古老儀式中吟誦的咒語,帶著一種曆史的塵埃味。我特彆喜歡作者在處理人物心理時那種不加修飾的直白,但這種直白又被包裹在極其復雜的句法結構之下,形成瞭一種奇特的張力——你知道他在說什麼,但你必須用力纔能真正“聽清”。這使得閱讀體驗變成瞭一種主動的“解碼”過程,每一次成功理解一個意群,都帶來一次小小的勝利感。而且,這本書的“時間感”處理得非常高明,過去、現在和那些尚未發生的未來似乎在同一頁紙上並置共存,互為參照。你讀著當下的場景,卻能清晰地感覺到數百年前的重量,或是幾十年後的迴聲。這是一種對時間綫性觀念的顛覆,讓讀者體驗到一種超越日常綫性流動的生命體驗。
评分閱讀過程中,我多次體會到一種難以名狀的疏離感,但這並非負麵的體驗,而更像是一種清醒的“抽離”。作者構建的世界,雖然在物理層麵上可能與我們共享一些基礎元素,但在精神和情感的肌理上,卻顯得如此陌生而精緻。我注意到他對細節的癡迷,那種對某種紋理、某種光綫的執著描寫,使得原本平淡無奇的場景突然獲得瞭雕塑般的立體感。這種對“細微之處的絕對忠誠”,反而從側麵烘托齣宏大主題的虛無感。我仿佛站在一個巨大的、正在緩緩崩塌的建築群外圍,看著那些精緻的雕花和厚重的磚石,明白它們的美麗是短暫的,但此刻的美麗本身就是一切。這本書的韻味,在於它在描繪堅固事物時所流露齣的、對脆弱性的深刻洞察。它沒有試圖去安慰讀者,而是提供瞭一麵高精度鏡子,讓我們直視自身在巨大時間尺度下的微不足道,並從中發現一種近乎冷酷的釋然。
评分如果非要用一個詞來概括這本書給我的感受,那可能是“質地”。這本書的文字有一種極佳的觸感,仿佛作者是用石頭和冷水打磨齣來的。它拒絕瞭一切輕浮的修飾,每一個詞的選擇都顯得沉重而必然,像是經過瞭漫長猶豫後落下的決定。我發現自己會不自覺地放慢語速去想象那些場景,仿佛隻有用極慢的速度纔能跟上文字所要求的精確度。這本書對“記憶的不可靠性”進行瞭深入的探討,但不是以說教的方式,而是通過場景的不斷閃迴和矛盾的陳述,讓你親身體驗到記憶是如何在重塑的過程中自我欺騙。它提供瞭一種審美上的挑戰,要求讀者放棄快速消費的閱讀習慣,轉而投入到一種近乎冥想的、細緻入微的觀察中去。讀完後,我感覺自己像是剛剛完成瞭一次漫長的、對精神疆域的丈量,雖然疲憊,但視野被極大地拓寬瞭。
评分Overwhelming...
评分Required reading for Prof. Robert Hegel's seminar on Honglou meng this semester. Prof. Yu's Rereading of the story of the Stone ABSOLUTELY worth rereading!!
评分Overwhelming...
评分Required reading for Prof. Robert Hegel's seminar on Honglou meng this semester. Prof. Yu's Rereading of the story of the Stone ABSOLUTELY worth rereading!!
评分Required reading for Prof. Robert Hegel's seminar on Honglou meng this semester. Prof. Yu's Rereading of the story of the Stone ABSOLUTELY worth rereading!!
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