The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Ch

出版者:Waveland Pr Inc

作者:Peter Weiss

页数:128

出版时间:2001-12-01

价格:USD 11.50

装帧:Paperback

isbn号码:9781577662310

图书标签:戏剧英文原版drama马拉萨德英语经典法国大革命政治

This extraordinary play, which swept Europe before coming to America, is based on two historical truths: the infamous Marquis de Sade was confined in the lunatic asylum of Charenton, where he staged plays; and the revolutionary Jean-Paul Marat was stabbed in a bathtub by Charlotte Corday at the height of the Terror during the French Revolution. But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

读后感

“this is a world of bodies each body pulsing with a terrible power each body alone and racked with its own unrest” Scene 30, Act II, Marat/Sade 1. Introduction The play of Peter Weisse, Marat/Sade, i...

“this is a world of bodies each body pulsing with a terrible power each body alone and racked with its own unrest” Scene 30, Act II, Marat/Sade 1. Introduction The play of Peter Weisse, Marat/Sade, i...

“this is a world of bodies each body pulsing with a terrible power each body alone and racked with its own unrest” Scene 30, Act II, Marat/Sade 1. Introduction The play of Peter Weisse, Marat/Sade, i...

“this is a world of bodies each body pulsing with a terrible power each body alone and racked with its own unrest” Scene 30, Act II, Marat/Sade 1. Introduction The play of Peter Weisse, Marat/Sade, i...

“this is a world of bodies each body pulsing with a terrible power each body alone and racked with its own unrest” Scene 30, Act II, Marat/Sade 1. Introduction The play of Peter Weisse, Marat/Sade, i...

用户评价

这种剧本形式呈现的文本看着真费劲，画面脑补力量还不够强大啊

！！！！！

这种剧本形式呈现的文本看着真费劲，画面脑补力量还不够强大啊

！！！！！

！！！！！