CYMBELINE

出版者:Simon & Schuster

作者:William Shakespeare

页数:324

出版时间:2003-6

价格:25.00元

装帧:Mass Market Paperback

isbn号码:9780671722593

图书标签:莎士比亚戏剧英国文学英国Shakespeare❁Audible/Ibooks♂ShakespeareI.Drama戲劇

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Edited Dr. Barbara A. Mowat and Paul Werstine

　　One of Shakespeare's later plays and initially considered a rather lowly example of his work, Cymbeline was disregarded as poorly-conceived 'folly' by such eminent critics as Dr. Johnson. However, in the nineteenth century the play received praise and fondness and it is now fairly highly thought of, partially since it is now not seen as a tragedy but rather a 'romance' and it therefore fits in with The Tempest, Pericles and The Winter's Tale rather than being a poor relation of Coriolanus or Hamlet. It is likely to have been written 1609/10 and was first published in the First Folio of 1623. Its main sources are Holinshed for the English history, Boccaccio for the love story and A Mirror for Magistrates. The story concerns Imogen, the daughter of Cymbeline, King of Britain. Imogen has married Leonatus Posthumus secretly but the girl's stepmother - the queen - reveals this to the king and he banishes Posthumus. The queen's purpose is to bring together her ridiculous son Cloten with Imogen. Yet, Posthumus's certainty about Imogen's fidelity to him is such that in Rome he begins a wager with the Italian Iachimo over a diamond ring she has given him. After a grand deception on the part of the unsuccessful seducer Iachimo, Posthumus orders Imogen's death. Imogen, disguised as Fidele escapes the fatal punishment of Posthumus's jealousy only to be caught up in new disasters among the battles of the Britons and the Roman army. Eventually the truth is revealed and all is resolved but only after much pleading and mistaken identity. Virginia Woolf borrowed the dirge "Fear no more the heat of the sun" as a key theme of her novel Mrs Dalloway. Cymbeline is seen by some as a typical late-Shakespeare reconciliation play with the elements of a steadily darkening plot that involves murder before matters are straightened out to the benefit of all, as in The Winter's Tale and The Tempest.

用户评价

願你不要像我們愛好虛華的世人一般，把一件富麗的外服遮掩內衣的敝陋。願你的內容也像你的外表一般美好，不像我們那些朝士們只有一副空空的架子。

願你不要像我們愛好虛華的世人一般，把一件富麗的外服遮掩內衣的敝陋。願你的內容也像你的外表一般美好，不像我們那些朝士們只有一副空空的架子。

願你不要像我們愛好虛華的世人一般，把一件富麗的外服遮掩內衣的敝陋。願你的內容也像你的外表一般美好，不像我們那些朝士們只有一副空空的架子。

願你不要像我們愛好虛華的世人一般，把一件富麗的外服遮掩內衣的敝陋。願你的內容也像你的外表一般美好，不像我們那些朝士們只有一副空空的架子。

其实这是我最喜欢的莎剧，但当时上课教授却一再让我们把它当悲剧去解读。一直不明白，直到读到茨威格自传，开篇第一句就是引用自该剧第三章的一段话。有点点明白当时教授的用意。