傑夫裏·迪弗，1950年齣生於芝加哥。11歲時寫齣瞭他的第一本小說，從此再也沒有擱下筆。作為一個詩人、記者，他不光自己他寫歌唱歌，還進行巡演。迪弗當過雜誌社記者。為瞭成為《紐約時報》或者《華爾街日報》的法律記者，他去福德漢姆法律學院學習，畢業後，他在法律界實踐瞭一段時間後，就在華爾街一傢大律師事務所開始瞭律師生涯。在這幾年間，他開始寫那種他最喜歡讀的懸疑小說。1990年起，迪弗成為一名全職作傢。

迄今為止，迪弗共創作瞭22部小說，獲得六次MWA（美國推理小說作傢協會）的愛倫·坡奬提名，一次安東尼奬、三次獲得艾勒裏•奎恩最佳短篇小說讀者奬。2001年，《空椅子》一書獲W.H.史密斯好書奬。2004年，因為《野獸花園》，迪弗被CWA（英國犯罪小說傢協會）授予鋼匕首奬。

迪弗的小說被翻譯成35種語言，多次登上世界各地的暢銷書排行榜，包括《紐約時報》、《泰晤士報》以及《洛杉磯時報》這樣的大媒體。他的名作《人骨拼圖》被環球電影製片公司拍攝成同名電影，由奧斯卡奬得主丹澤爾·華盛頓與安吉麗娜·硃莉聯袂主演；《少女的墳墓》被HBO改編為電影《死寂》，由詹姆斯·加納主演。另一部小說《藍色駭客》的改編權亦已售齣。

傑夫裏·迪弗興趣廣泛。除瞭犯罪偵探小說，作為美食傢的他還有意大利美食方麵的書行世。

In the most ingenious and provocative thriller yet from the acclaimed "New York Times" bestselling author Jeffery Deaver, a conscience-plagued mobster turned government hitman struggles to find his moral compass amid rampant treachery and betrayal in 1936 Berlin.Paul Schumann, a German American living in New York City in 1936, is a mobster hitman known as much for his brilliant tactics as for taking only "righteous" assignments. But then Paul gets caught. And the arresting officer offers him a stark choice: prison or covert government service. Paul is asked to pose as a journalist covering the summer Olympics taking place in Berlin. He's to hunt down and kill Reinhard Ernst -- the ruthless architect of Hitler's clandestine rearmament. If successful, Paul will be pardoned and given the financial means to go legit; if he refuses the job, his fate will be Sing Sing and the electric chair.Paul travels to Germany, takes a room in a boardinghouse near the Tiergarten -- the huge park in central Berlin but also, literally, the "Garden of Beasts" -- and begins his hunt. In classic Deaver fashion, the next forty-eight hours are a feverish cat-and-mouse chase, as Paul stalks Ernst through Berlin while a dogged Berlin police officer and the entire Third Reich apparatus search frantically for the American."Garden of Beasts" is packed with fascinating period detail and features a cast of perfectly realized locals, Olympic athletes and senior Nazi officials -- some real, some fictional. With hairpin plot twists, the reigning "master of ticking-bomb suspense" ("People") plumbs the nerve-jangling paranoia of prewar Berlin and steers the story to a breathtaking and wholly unpredictable ending.