阿拉·古茲利米安,1998年9月任卡內基音樂廳高級總監及藝術顧問,並擔任阿斯本國際音樂節以及洛杉磯愛樂的藝術總監。他主持瞭卡內基音樂廳談話以及與一係列偉大音樂傢的談話。
This fascinating exchange between two of the most prominent figures in contemporary culture, Daniel Barenboim, Music Director of the Chicago Symphony Orchestra and the Deutsche Staatsoper Berlin, and Edward W. Said, the eminent literary critic and scholar and a leading expert on the Middle East, grew out of the acclaimed Carnegie Hall Talks. A unique and impassioned discussion about politics and culture, it touches on many diverse subjects: the importance of a sense of place; the differences between writing prose and music; the conductors Wilhelm Fürtwangler and Arturo Toscanini; Beethoven as the greatest sonata composer; the difficulty of playing Wagner; the sound at Bayreuth; the writers Balzac, Dickens, and Adorno; the importance of great teachers; and the power of culture to transcend all national and political differences——something they both witnessed when they brought together young Arab and Israeli musicians to play at Weimar in 1999.
Although Barenboim and Said have very different points of view, they act as catalysts for each other. The originality of their ideas makes this a book that is both accessible and compelling for anyone who is interested in the culture of the twenty-first century.
2002年3月6日,由於以色列軍隊拒絕擔保其人身安全,鋼琴傢暨指揮傢丹尼爾•巴倫博依姆不得不宣布取消計劃在巴勒斯坦的拉馬拉舉行的音樂會,舉世為之震驚。但是沒有一個以色列人感到奇怪,因為以色列公民早已被禁止進入巴勒斯坦控製區,任何原因都不例外。同年,一本巴倫博依...
評分2002年3月6日,由於以色列軍隊拒絕擔保其人身安全,鋼琴傢暨指揮傢丹尼爾•巴倫博依姆不得不宣布取消計劃在巴勒斯坦的拉馬拉舉行的音樂會,舉世為之震驚。但是沒有一個以色列人感到奇怪,因為以色列公民早已被禁止進入巴勒斯坦控製區,任何原因都不例外。同年,一本巴倫博依...
評分薩義德與巴倫博依姆(一個主要麵對文字,一個主要麵對聲音),在他們的交談中,常常會傳遞給我一種感受——當文字與聲音相遇時,其錶現力總是敗下陣來。文字總是有太多的意圖,與音樂相比,缺乏最直接的神秘感。這種落差感,甚至在同樣地使用語言而以不同方式(文化/文...
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