阿拉·古茲利米安,1998年9月任卡內基音樂廳高級總監及藝術顧問,並擔任阿斯本國際音樂節以及洛杉磯愛樂的藝術總監。他主持瞭卡內基音樂廳談話以及與一係列偉大音樂傢的談話。
This fascinating exchange between two of the most prominent figures in contemporary culture, Daniel Barenboim, Music Director of the Chicago Symphony Orchestra and the Deutsche Staatsoper Berlin, and Edward W. Said, the eminent literary critic and scholar and a leading expert on the Middle East, grew out of the acclaimed Carnegie Hall Talks. A unique and impassioned discussion about politics and culture, it touches on many diverse subjects: the importance of a sense of place; the differences between writing prose and music; the conductors Wilhelm Fürtwangler and Arturo Toscanini; Beethoven as the greatest sonata composer; the difficulty of playing Wagner; the sound at Bayreuth; the writers Balzac, Dickens, and Adorno; the importance of great teachers; and the power of culture to transcend all national and political differences——something they both witnessed when they brought together young Arab and Israeli musicians to play at Weimar in 1999.
Although Barenboim and Said have very different points of view, they act as catalysts for each other. The originality of their ideas makes this a book that is both accessible and compelling for anyone who is interested in the culture of the twenty-first century.
發表於2024-11-16
Parallels and Paradoxes 2024 pdf epub mobi 電子書 下載
和而不同 Parallels and Paradoxes: Explorations in Music and Society 平行與矛盾——在音樂與社會中的探索 其實,原書名已開宗明義,這是兩個不同專業的人中翹楚的共識與異識,重要的,他們並非交鬥攀比,而是交流分享;也許,劃定專業分類以彆不是畫地為牢囿於專業空間,...
評分音樂的目標隻有一個。這就像人生:起於無,止於無。起於無聲,止於無聲,而且不到結尾,無法停止。 仿佛在嚮無聲進行反抗。做音樂本身便是一種勇氣,因為你在努力反對很多自然界的規律。第一個便是無聲。如果你想保持聲音,如果你想在持續的聲音中製造張力,第一個要處理的就...
評分有一迴吃素食自助餐,同桌的還有一位漢學研究生,顫栗兄說起錢鍾書先生有一句話,叫“東海西海,心理攸同”。(錢鍾書:《〈談藝錄〉序》,《談藝錄》,中華書局,1984年版,第1頁。)這個心怎麼譯?顫栗兄試譯為temperament。這個“心”到底同不同,我們不斷地問自己。 關於...
評分有一迴吃素食自助餐,同桌的還有一位漢學研究生,顫栗兄說起錢鍾書先生有一句話,叫“東海西海,心理攸同”。(錢鍾書:《〈談藝錄〉序》,《談藝錄》,中華書局,1984年版,第1頁。)這個心怎麼譯?顫栗兄試譯為temperament。這個“心”到底同不同,我們不斷地問自己。 關於...
圖書標籤: 音樂 薩義德 巴倫波伊姆 music 社會 原版 nonfiction hard
Parallels and Paradoxes 2024 pdf epub mobi 電子書 下載