The years from 1520 to 1630 were crucial in the development of Western architecture, but to label as Mannerist the transition from Michelangelo's "licentious" New Sacristy in Florence to Borromini's innovative S. Carlo alle Quattro Fontane is coming to seem unduly simplistic.
In this carefully researched and original study, Andrew Hopkins examines the century's changing functional demands, the political forces, the patronage system, and local traditions. Exploring a wide range of Italian buildings (including those outside the major urban centers), he introduces us to dozens of neglected architects whose works will come as a revelation. By 1630, architecture had taken on a new dynamism that would soon conquer Italy, Europe, and the New World: the baroque. 209 b/w illustrations.
通史作品,不是非常了解的话看着一头雾水,可是非常了解的话又为啥要看这个=。=。。。
评分简要的现代化历史
评分通史作品,不是非常了解的话看着一头雾水,可是非常了解的话又为啥要看这个=。=。。。
评分可以 但没必要仔细研读。。
评分简要的现代化历史
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