""I don't paint but I began as a painter. I take the term "painter" as figurative.... Painter can mean 'maker' in that sense."" -Jeff Wall in conversation with David Shapiro Born in 1946 in British Columbia, Jeff Wall has shown internationally for the last 25 years and is one of the most intriguing and influential artists working today. His signature works are large-scale narrative photographs in the form of backlit transparencies mounted in light boxes, like bus stop advertisements. Rather than advertising products, Wall's photographs celebrate moments of everyday life, often ones he has observed while driving around the streets of his native Vancouver, and then re-created using actors. His use of the light box as a medium has been copied by many younger artists, and his theoretical writings on photography are widely admired. This book is part of a Tate Publishing series focused on living artists. Generously illustrated, accessible, and affordable, the Modern Artists series will build to become an essential reference for all those interested in contemporary visual culture.
TR647.W358 2005
评分杰夫沃尔七十年代以来的重要作品梳理,分析精当,但仍有深入的空间,比如2000年以来沃尔对不可见性的探索,大有深入分析的余地。此外,沃尔对艺术史,特别是现代绘画和现代文学的挪用,及艺术家本身借此对摄影作为媒介之必然性的探索,也应当是有趣的话题,但考虑到本书的定位,作者只是点到为止,也可做专门研究。
评分杰夫沃尔七十年代以来的重要作品梳理,分析精当,但仍有深入的空间,比如2000年以来沃尔对不可见性的探索,大有深入分析的余地。此外,沃尔对艺术史,特别是现代绘画和现代文学的挪用,及艺术家本身借此对摄影作为媒介之必然性的探索,也应当是有趣的话题,但考虑到本书的定位,作者只是点到为止,也可做专门研究。
评分杰夫沃尔七十年代以来的重要作品梳理,分析精当,但仍有深入的空间,比如2000年以来沃尔对不可见性的探索,大有深入分析的余地。此外,沃尔对艺术史,特别是现代绘画和现代文学的挪用,及艺术家本身借此对摄影作为媒介之必然性的探索,也应当是有趣的话题,但考虑到本书的定位,作者只是点到为止,也可做专门研究。
评分杰夫沃尔七十年代以来的重要作品梳理,分析精当,但仍有深入的空间,比如2000年以来沃尔对不可见性的探索,大有深入分析的余地。此外,沃尔对艺术史,特别是现代绘画和现代文学的挪用,及艺术家本身借此对摄影作为媒介之必然性的探索,也应当是有趣的话题,但考虑到本书的定位,作者只是点到为止,也可做专门研究。
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