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What to Listen for in Music pdf epub mobi 著者簡介

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發表於2024-05-20

What to Listen for in Music 2024 pdf epub mobi 電子書 下載

What to Listen for in Music 2024 pdf epub mobi 電子書 下載

What to Listen for in Music 2024 pdf epub mobi 電子書 下載

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評分☆☆☆☆☆

評分☆☆☆☆☆

五十年前初夏的一天，畢業考前的最後一次輔導。記不清麯目是貝多芬舒伯特還是莫紮特，反正是大提琴改編麯，麯子並不難，估計也就是現在大提琴考級2級水平的樣子。老師耐心示範著，但我心裏長草，不想再練下去。老師焦急地問：你懂瞭麼？嗯。好，你再拉一遍。自然這一遍也沒能讓...  

評分☆☆☆☆☆

這是一本寫給音樂愛好者的書。 作者在怎麼聽的部分，選用巴赫的三聲部作品為例，講解瞭聽的方法和步驟。 在麯式部分一開始，作者寫的非常翔實。在明確的歸類之下，一直到復調音樂前，作者引入瞭不同時期的大量例子。使讀者可以對不同的麯式，甚至是麯式的演變有初步的認識，這...  

評分☆☆☆☆☆

本文為轉載，所以。。。就不全文轉載瞭，隻截取兩段。原文見： http://www.sohu.com/a/132982430_665329 （若轉載文章所言不虛，而同樣的觀點在豆瓣卻見不到，而隻剩諛辭，那對豆瓣和像我這樣的用戶，就太遺憾瞭（相信豆瓣讀書對很多人的最大意義之一，和我一樣，就是避免買到...  

評分☆☆☆☆☆

好難找啊這本書。誰給說說從哪兒找到這本書，電子版也行。急需要。很想讀讀，學習學習。誰有，誰有。給復印一份也行，給錢。。  

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出版者:Signet Classics

作者:Aaron Copland

出品人:

頁數:304

譯者:

出版時間:2002-11-5

價格:USD 7.95

裝幀:Mass Market Paperback

isbn號碼:9780451528674

叢書系列:

評分☆☆☆☆☆

Awesome!Plain but not plain.

評分☆☆☆☆☆

A clear and concise formal introduction to classical music. The book title might be a little misleading if you're expecting much discussion of the significance of musical contents. Little is present: the author actually shuns that question deliberately. The recommended recordings are truly of choice quality. (The book was bought at Harvard Coop in Cambridge in the fall of 2009 and read in the fall of 2009.)

評分☆☆☆☆☆

A clear and concise formal introduction to classical music. The book title might be a little misleading if you're expecting much discussion of the significance of musical contents. Little is present: the author actually shuns that question deliberately. The recommended recordings are truly of choice quality. (The book was bought at Harvard Coop in Cambridge in the fall of 2009 and read in the fall of 2009.)

評分☆☆☆☆☆

音樂 思維 聽力。culture your ear。

評分☆☆☆☆☆

A clear and concise formal introduction to classical music. The book title might be a little misleading if you're expecting much discussion of the significance of musical contents. Little is present: the author actually shuns that question deliberately. The recommended recordings are truly of choice quality. (The book was bought at Harvard Coop in Cambridge in the fall of 2009 and read in the fall of 2009.)

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