In Between the Sheets

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Name:

Ian McEwan

Also Known As:

Ian Russell McEwan

Current Home:

Oxford, England

Date of Birth:

June 21, 1948

Place of Birth:

Aldershot, England

Education:

B.A., University of Sussex, 1970; M.A., University of East Anglia, 1971

Awards:

Somerset Maugham Award, 1976; Whitbread Award, 1987; The Booker Prize, 1998; Fellow, Royal Society of Literature; National Book Critics' Circle Fiction Award, 2003

ne of the most distinguished novelists of his generation, Ian McEwan was born in England and spent much of his childhood traveling with his father, an army officer stationed in the Far East, Germany, and North Africa. He graduated from Sussex University in 1970 with a degree in English Literature and received his MA in Creative Writing from the University of East Anglia.

McEwan burst upon the literary scene in the mid-1970s with two short story collections that highlighted with equal clarity his early predilection for disturbing, somewhat shocking subject matter and his dazzling prose style. Similarly, his 1978 debut novel, The Cement Garden, attracted as much attention for its unsettling storyline as for its stylistic brilliance. But even though his early work was saturated with deviant sex, violence, and death (so much so that he earned the nickname "Ian MacAbre"), he was never dismissed as a mere purveyor of cheap thrills. In fact, two of his most provocative works (The Comfort of Strangers and Enduring Love) were shortlisted for major U.K. awards.

As he has matured, McEwan has moved away from disquieting themes like incest, sadism, and psychotic obsession to explore more introspective human dramas. In an interview with The New Republic he described his literary evolution in this way:

"One passes the usual milestones in life: You have children, you find that whether you like it or not, you have a huge investment in the human project somehow succeeding. You become maybe a little more tolerant as you get older. Pessimism begins to feel something like a badge that you perhaps do not wear so easily. There is something delicious and reckless about the pessimism of being 21. And when you get older you feel maybe a little more delicate and hope that things will flourish. You don't want to take a stick to it."

Among many literary honors, McEwan has been awarded the Somerset Maugham Award for First Love, Last Rites (1976) and the Whitbread Prize for The Child in Time (1987). Nominated three times for the Booker Prize, he finally won in 1998 for Amsterdam. He has also received the WH Smith Literary Award and National Book Critics' Circle Fiction Award for Atonement (2001) and the James Tait Black Memorial Prize for Saturday (2005).

Good To Know

While developing the Harry Perowne, the neurosurgeon in Saturday, McEwan actually spent a year observing a neurosurgeon at work, which included time spent in the operating theater.

Although he is known principally for his novels, McEwan has also brought his vision to the screen as writer of the films The Ploughman's Lunch (1983) and Soursweet (1988).

Hollywood loves McEwan. Film adaptions of his novels include The Cement Garden, The Comfort of Strangers, The Innocent, Enduring Love, and Atonement.

McEwan is no stranger to controversy. In 1999, his first wife kidnapped their 13-year-old son.The child was returned and McEwan awarded sole custody. His ex-wife was fined for "defamation" of McEwan's name.

In 2002, Ian McEwan discovered that he had a brother born from an affair between McEwan's parents that occurred before their marriage and given up for adoption during WWII. Since their relationship has come to light, McEwan and his brother have met frequently and forged a friendship.

出版者:Simon & Schuster
作者:Ian McEwan
出品人:
頁數:153
译者:
出版時間:1979-8-6
價格:USD 8.95
裝幀:Hardcover
isbn號碼:9780671242909
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評分

之所以藉閱這本書有兩個原因:一是我把作者麥剋尤恩和《白鯨》的作者赫爾曼·麥爾維爾想象成同一個人瞭;二是因為我前不久纔開始認得這個笫字,也多少瞭解一點這個名詞隱含著的那層意思。 這是一次失敗的閱讀,如果不藉助他人的解讀,我完全無法判斷作者在講述些什麼事情。 ...  

評分

前些天重看瞭Atonement,Keira是朵名副其實的英倫玫瑰。電影的色彩很美,有雷諾阿的畫麵感。那個史詩般的長鏡頭一如既往的悲愴。當年貌似拿瞭金球奬,盡管它在豆瓣和imdb上分數比我心中的低,但這不妨礙它是部好電影。 扯遠瞭。。。想說的是這幾天看瞭老麥其他幾部作品...  

評分

前些天重看瞭Atonement,Keira是朵名副其實的英倫玫瑰。電影的色彩很美,有雷諾阿的畫麵感。那個史詩般的長鏡頭一如既往的悲愴。當年貌似拿瞭金球奬,盡管它在豆瓣和imdb上分數比我心中的低,但這不妨礙它是部好電影。 扯遠瞭。。。想說的是這幾天看瞭老麥其他幾部作品...  

評分

七個短篇,每一篇我都讀瞭兩遍,均為怪誕和變態的糾結相關,如寓言般揭示人性中潛在的怪誕和黑暗。這些構成瞭一個由充滿不閤時宜、頹廢、反常、被遺棄的人組成的世界,情節怪誕又殘忍,性、死亡、亂倫乃至殘殺兒童,但是老麥去用精美的語言來承載這種不適,可謂是精確描述和黑...  

評分

之所以藉閱這本書有兩個原因:一是我把作者麥剋尤恩和《白鯨》的作者赫爾曼·麥爾維爾想象成同一個人瞭;二是因為我前不久纔開始認得這個笫字,也多少瞭解一點這個名詞隱含著的那層意思。 這是一次失敗的閱讀,如果不藉助他人的解讀,我完全無法判斷作者在講述些什麼事情。 ...  

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