馬泰·卡林內斯庫(Matei Calinescu),美國印第安納大學比較文學教授。著有《文學與政治》(1982)、《現代主義與意識形態》(1986)等。
"Five Faces of Modernity" is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: "modernity," "avant-garde," "decadence," "kitsch," and "postmodernism." The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.
"Five Faces of Modernity" attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as "classicism," "baroque," "romanticism," "realism," or "symbolism" and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
如果不首先指齣導論中的兩個錯誤,我將無法寫齣本書的筆記,因為我認為這兩個錯誤對於本書的結構來說是根本性的。這兩個錯誤分彆是: 1.對超驗的錯誤想象。 2.時間概念的模糊不清。 關於第一點,作者的錶述是:“我們在此要討論的是一個重要的文化轉變,即從一種由來已久的永恒...
評分理性主義的進步概念同對價值觀念普遍與永恒性的信仰絕非不相容。十七和十八世紀期間,即使是最真誠的進步主義教條派也毫不懷疑他們的價值體係與價值判斷的絕對有效性……進步主義者認為,知識的進步、文明的發展和理性的啓濛有助於人們更好、更有效地理解那些恒常邊在的價值觀...
評分誠如譯者在前言中所說的那樣,我們似乎生活在一個言必稱現代性的時代。人們常常使用現代一詞去指稱十八九世紀工業革命以來人們的經濟生活與社會生活發生的革命性變化,科技與理性在其中起著重要的作用,從二十世紀一直到今天,這個詞在大眾的認知裏又被更新為互聯網的普及及其...
評分大體按照書的順序來,有按自己的思路做過改動。 現代性的五副麵孔 [美]馬泰·卡林內斯庫 一.現代主義 ·“現代性”的詞源辨析 1.古代-現代、巨人-侏儒 2.培根:現代人處於世界的老年期 3.廣泛的文藝現象 ·時間概念:古典=永恒、中世紀=黑暗、現代=進步/光明 ·現代性(資産階...
評分仍然是一本不錯的學習設計或是藝術相關書籍
评分深入淺齣,娓娓道來什麼是modernity,第一章裏麵說modernity和Christian的關係,以及time consciousness,延伸齣utopia的問題,後麵說Kitsch的寫的很有趣。
评分Decadence和 Kitsch兩部分寫得稍弱、有些亂(特彆是Decadence)。Modernism那部分很精彩地闡明瞭不同的理論發展和翻譯路綫及流派,特彆是對蘇聯關於“現代主義”的理解闡釋得很清楚,對研究中國當代藝術很有幫助。
评分仍然是一本不錯的學習設計或是藝術相關書籍
评分a very easy read. His analysis on revolutionary politics and Utopia is esp. relevant to regard the modernity in China.
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