Czeslaw Milosz was born June 30, 1911 in Seteiniai, Lithuania, as a son of Aleksander Milosz, a civil engineer, and Weronika, née Kunat. He made his high-school and university studies in Wilno, then belonging to Poland. A co-founder of a literary group "Zagary", he made his literary début in 1930, published in the 1930s two volumes of poetry and worked for the Polish Radio. Most of the war time he spent in Warsaw working there for the underground presses.

In the diplomatic service of the People's Poland since 1945, he broke with the government in 1951 and settled in France where he wrote several books in prose. In 1953 he received Prix Littéraire Européen.

In 1960, invited by the University of California, he moved to Berkeley where he has been, since 1961, Professor of Slavic Languages and Literatures.

Presented with an award for poetry translations from the Polish P.E.N. Club in Warsaw in 1974; a Guggenheim Fellow for poetry 1976; received a honorary degree Doctor of Letters from the University of Michigan, Ann Arbor, in 1977; won the Neustadt International Prize for Literature in 1978; received the "Berkeley Citation" (an equivalent of a honorary Ph.D.) in 1978; nominated by the Academic Senate a "Research Lecturer" of 1979/1980.

From Nobel Lectures, Literature 1968-1980, Editor-in-Charge Tore Frängsmyr, Editor Sture Allén, World Scientific Publishing Co., Singapore, 1993

Czeslaw Miosz, winner of the 1980 Nobel Prize for Literature, reflects upon poetry's testimony to the events of our tumultuous time. From the special perspectives of "my corner of Europe," a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial. Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins. He examines the tendency of poets since Mallarme to isolate themselves from society, and stresses the need for the poet to make himself part of the great human family. One chapter is devoted to the tension between classicism and realism; Milosz believes poetry should be "a passionate pursuit of the real." In "Ruins and Poetry" he looks at poems constructed from the wreckage of a civilization, specifically that of Poland after the horrors of World War II. Finally, he expresses optimism for the world, based on a hoped-for better understanding of the lessons of modern science, on the emerging recognition of humanity's oneness, and on mankind's growing awareness of its own history.