Herbert Marcuse (July 19, 1898 – July 29, 1979) was a prominent German and later American philosopher and sociologist of Jewish descent. Marcuse co-founded the Frankfurt Institute for Social Research with Theodore Adorno and Max Horkheimer.
Developing a concept briefly introduced in 'Counterrevolution and Revolt, ' Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form of expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.
或许以悲天悯人为底色的一贯叛逆的高阶形式是和解?其实马克思主义者的美学理论哪有什么东西啊,老马可能只是借学术之名宽慰大家吧?最后的这股子热情也是令人动容呢。发现了当年nyt上的一篇书评http://movies2.nytimes.com/books/00/12/17/specials/foucault-cage.html,将此书形象得比喻为大象跳舞。作者Richard locke时年在卫斯理读大一,如今已是布朗的院长(美国应该是教务长?)。法兰克福学派真是滋养了太多学者的青年时代啊
评分也难为Marcuse了其实就aesthetic的来说Marx的理论还真不值得专门写上一本书去反驳。正中要害, in what it says and how it says it,cosmos of hope!
评分或许以悲天悯人为底色的一贯叛逆的高阶形式是和解?其实马克思主义者的美学理论哪有什么东西啊,老马可能只是借学术之名宽慰大家吧?最后的这股子热情也是令人动容呢。发现了当年nyt上的一篇书评http://movies2.nytimes.com/books/00/12/17/specials/foucault-cage.html,将此书形象得比喻为大象跳舞。作者Richard locke时年在卫斯理读大一,如今已是布朗的院长(美国应该是教务长?)。法兰克福学派真是滋养了太多学者的青年时代啊
评分或许以悲天悯人为底色的一贯叛逆的高阶形式是和解?其实马克思主义者的美学理论哪有什么东西啊,老马可能只是借学术之名宽慰大家吧?最后的这股子热情也是令人动容呢。发现了当年nyt上的一篇书评http://movies2.nytimes.com/books/00/12/17/specials/foucault-cage.html,将此书形象得比喻为大象跳舞。作者Richard locke时年在卫斯理读大一,如今已是布朗的院长(美国应该是教务长?)。法兰克福学派真是滋养了太多学者的青年时代啊
评分或许以悲天悯人为底色的一贯叛逆的高阶形式是和解?其实马克思主义者的美学理论哪有什么东西啊,老马可能只是借学术之名宽慰大家吧?最后的这股子热情也是令人动容呢。发现了当年nyt上的一篇书评http://movies2.nytimes.com/books/00/12/17/specials/foucault-cage.html,将此书形象得比喻为大象跳舞。作者Richard locke时年在卫斯理读大一,如今已是布朗的院长(美国应该是教务长?)。法兰克福学派真是滋养了太多学者的青年时代啊
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