Rilke's prayerful responses to the french master's beseeching art
For a long time nothing, and then suddenly one has the right eyes.
Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.
Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.
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从巴黎到波尔多的火车上读了一半；从尼斯到阿维尼翁的火车上读了另一半
评分"Somehow I too must find a way of making things; not plastic, written things, but realities that arise/from the craft itself. Somehow I too must discover the/smallest constituent element, the cell of my art,/the tangible immaterial means of/expressing everything . . . " To Lou Andreas-Salomé, August 10, 1903
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评分冯至先生若健在...
评分"Somehow I too must find a way of making things; not plastic, written things, but realities that arise/from the craft itself. Somehow I too must discover the/smallest constituent element, the cell of my art,/the tangible immaterial means of/expressing everything . . . " To Lou Andreas-Salomé, August 10, 1903
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