Book Description
Intriguing, suspenseful, and witty, this is the story of journalist and novelist Caroline Blackwood's search for the late Duchess of Windsor. It is also a provocative exploration of the often bizarre connection between heightened celebrity and approaching death--in Blackwood's words, "the fatal effects of myth." First serial to New York Times Magazine.
From Publishers Weekly
Novelist and journalist Blackwood has pulled off quite a coup here: she has written a biographical portrait of the late Wallis Simpson, duchess of Windsor, without ever having seen more of her than the outside of her magnificent house near Paris and a murky photograph taken through the window by an Italian paparazzo. In 1980, the Sunday Times of London sent Blackwood to interview the 84-year-old duchess for a piece to run with photographs by Lord Snowdon, Princess Margaret's husband. The assignment was dynamite, but the pair are stopped dead by Suzanne Blum, an 83-year-old eccentric and vitriolic French lawyer known as Maitre Bloom, who identifies so closely with the duchess that her life is a round of suing newspapers, perpetrating both lies and legends of her charge's beauty and good health. Maitre Bloom firmly takes over this book. A few derivative chapters cover the well-known details of Wallis Simpson's early life, but Maitre Bloom shapes every page with her tantrums and vanities. The portrait is interesting psychologically and one admires this poised effort to salvage an aborted assignment. However, the absence of denouement-neither Blackwood nor Lord Snowden make it past the ferocious protector-makes the reader wonder why she is paying this much attention to a little-known, if complex, eccentric. In the end, one can only feel sorry for both the obsessed and the object of her obsession.
From Library Journal
In 1980 when the London Sunday Times commissioned Lord Snowden to photograph the 84-year-old Duchess of Windsor, then living outside of Paris, Blackwood was asked to accompany him as a reporter. Alas, this journalistic scoop was not to be, for blocking all access to the duchess was her lawyer, the fierce and formidable Suzanne Blum. Interviewing such contemporaries of Wallis Simpson as Lady Mosley and Lady Diana Cooper, Blackwood discovered that the octogenarian Maitre Blum, one of France's most powerful attorneys, had complete control over the duchess and her estate. Since Blum kept the ailing duchess isolated in her shuttered mansion, Blackwood could not verify whether Wallis had fallen into a coma, as rumored by her friends, or whether she was still as beautiful and witty as ever, as Blum maintained. And that is this book's problem; offering inconclusive speculations, it reads like the extended Vanity Fair article it should have been. For larger collections.
-Wilda Williams, "Library Journal"
From Booklist
A strange book--no, a fascinating one--about a strange situation. Most everyone knows something of the story of the duke and duchess of Windsor. As King Edward VIII, he gave up the British throne in 1936 to marry American divorc{?}ee Wallis Simpson, and they subsequently lived in France as little more than social butterflies. In 1980, novelist Blackwood was asked by the London Sunday Times to write an article about the widowed and elderly duchess of Windsor. Little did Blackwood know that a "total cordon sanitaire of silence" had been thrown up around the duchess by her forbidding lawyer, the infamous Ma{?}itre Blum. On more than one occasion, Blackwood talked with Blum, but never once was she allowed to visit the duchess herself. Indeed, Blackwood's book about the entire episode is less about the duchess of Windsor than about the cantankerous Blum, who is most definitely an interesting figure in her own right. Blackwood's amazing account of attempting to verify the duchess' state of health in the face of Blum's deterrents--a story that reads almost like a gothic novel--can finally be published now that not only the duchess but also her guard-dog lawyer are both deceased. (The latter actually threatened Blackwood with death if she published a negative word about her famous client!)
Brad Hooper
About Author
Daughter of the Marquis and Marchioness of Dufferin and Ava, Lady Carolin Blackwood was born in 1931 and grew up in Nortern Ireland. Her first husband, Lucian Freud, whom she married in 1953, has immortalized her youthful beauty in several of his finest portraits; she was later married to the American poet Robert Lowell; she has four children. Her first novel, The Stepdaughter, was published in 1967 and won the David Higham Fiction Prize; her last book, The Last of the Duchess, was published in 1995. In all, she published five novels, four nonfiction works, and, with Anna Haycraft, an idiosyncratic cookbook entitled Darling, You Shouldn't Have Gone to So Much Trouble. Resident in her later years in Sag Harbo, New York, She died in New York City in 1996.
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这本小说给我的感觉非常奇特,它既有史诗般的宏大叙事,又有极其细腻的个人情感描绘。作者能够将宏观的历史背景与微观的人物命运巧妙地结合在一起,让我在阅读时,既能感受到时代的洪流,又能体会到个体在历史洪流中的渺小与挣扎。书中的人物,无论是主角还是配角,都仿佛是从那个时代走出来的真人,他们有自己的理想,有自己的困境,有自己的爱恨情仇。我能感受到他们内心的挣扎,能理解他们的选择,甚至能在某些时刻,为他们的命运而感到悲伤或欣慰。作者的文笔非常优美,带着一种古典的韵味,但又不会显得过于生涩难懂。他善于运用各种意象和比喻,将抽象的情感具象化,让读者更容易产生共鸣。我特别喜欢作者对情绪的描写,那些内敛的、压抑的、爆发的情感,都被他刻画得淋漓尽致,仿佛我就是那个身处其中的人,正在经历着这一切。这本书让我对人性的复杂性有了更深的认识,也让我反思了自己在面对选择时的态度。
评分这本书的结构设计得非常巧妙,它并非一条直线式的叙述,而是通过多角度、多视角的切换,层层递进地揭示故事的全貌。我常常会在阅读过程中感到一丝困惑,仿佛被带入了一个迷宫,但每一次的转折,每一次的新线索出现,都让我觉得豁然开朗,又对后续的发展充满了期待。作者在情节的设置上,也充满了惊喜,那些出乎意料的转折,那些伏笔的回收,都让我拍案叫绝。我发现自己常常会猜测故事的走向,但每一次的猜测,似乎都与作者的安排有所不同,这种被“玩弄”于股掌之间的感觉,反而让我更加兴奋。书中的人物关系错综复杂,他们之间的爱恨纠葛,利益冲突,都交织在一起,形成了一张巨大的网。我需要仔细梳理这些关系,才能更好地理解人物的行为动机和故事的发展。这种需要读者主动思考和参与的阅读方式,正是这本书最大的魅力所在。
评分总的来说,这本书给我留下了极为深刻的印象。作者的想象力是如此的丰富,他构建了一个如此真实而又充满魅力的世界,让我流连忘返。书中的故事,虽然发生在遥远的过去,却能引发我对当下生活的思考。那些关于爱、关于忠诚、关于背叛、关于成长的议题,至今仍然具有现实意义。我特别欣赏作者对人性的深刻洞察,他笔下的人物,没有绝对的好人或坏人,只有在特定环境下的选择和挣扎。这种 nuanced 的描绘,使得人物更加真实可信,也更能引发读者的共鸣。书中的情感描写也尤为动人,那些刻骨铭心的爱恋,那些撕心裂肺的痛苦,都被作者描绘得感人至深。我常常会在阅读时,被深深地打动,甚至流下眼泪。这是一本能够触及灵魂的书,它不仅让我沉浸在故事的情节中,更能让我反思自己的内心,审视自己的价值观。
评分这本书的封面就足够吸引人,泛黄的纸张质感,搭配着那种年代感十足的插画,立刻勾勒出一种古老而又神秘的氛围。我拿到书的时候,就忍不住翻开来,文字的排版和字体也很有讲究,读起来仿佛穿越回了某个遥远的时代,身临其境地感受着那个时代的韵味。作者在描写场景时,无论是宏伟的宫殿,还是幽深的小巷,都描绘得栩栩如生,让我仿佛能闻到空气中的尘埃,听到远处传来的马蹄声,甚至能感受到微风拂过脸颊的触感。人物的塑造也相当立体,他们不是简单的符号,而是有血有肉,有各自的喜怒哀乐,有自己的挣扎和追求。我尤其喜欢作者对人物内心世界的细腻刻画,那些隐藏在表面之下的情感暗流,那些欲言又止的思绪,都让我感同身受。读这本书的过程,就像是在经历一场跌宕起伏的人生,时而紧张刺激,时而温情脉脉,时而又带着一丝淡淡的忧伤。每一次翻页,都充满了期待,不知道下一个转折会把我带向何方。这本书给我带来的不仅仅是阅读的乐趣,更像是一种精神上的洗礼,让我对生活有了更深的理解和感悟。
评分从第一页开始,我就被作者的叙事方式深深吸引了。它不像许多小说那样直白地铺陈故事,而是巧妙地运用各种暗示和留白,让读者自己去品味和解读。这种“犹抱琵琶半遮面”的写作手法,反而更能激发我的好奇心,让我主动去探索故事背后的真相。人物之间的对话也极具匠心,看似平淡的交流,却暗藏着深意,每一个词语,每一个停顿,都可能隐藏着重要的线索。我常常需要停下来,反复咀嚼这些对话,才能捕捉到人物之间微妙的情感变化和潜在的动机。作者对细节的把握也令人惊叹,无论是服饰的颜色、配饰的样式,还是食物的种类、场景的布置,都充满了时代特色,仿佛是一幅幅精美的历史画卷展现在我的眼前。这些细节不仅丰富了故事的背景,也为人物的性格和命运增添了许多注脚。阅读的过程,就像是在玩一场高智商的解谜游戏,我需要将零散的信息 pieces 拼凑起来,才能逐渐勾勒出故事的全貌。这种沉浸式的阅读体验,让我欲罢不能。
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