Eugène Ionesco, born Eugen Ionescu (November 26, 1909 – March 28, 1994), was a Romanian and French playwright and dramatist, one of the foremost playwrights of the Theatre of the Absurd. Beyond ridiculing the most banal situations, Ionesco's plays depict in a tangible way the solitude and insignificance of human existence
发表于2024-12-27
Amedee and Other Plays 2024 pdf epub mobi 电子书
图书标签: 法国文学 荒诞派 经典 戏剧 尤涅斯库 剧本 Ionesco EugeneIonesco
The author of such modern classics as The Bald Soprano, Exit the King, Rhinoceros, and The Chairs, Eugène Ionesco is “one of the most important and influential figures in the modern theater” (Library Journal). This crucial collection combines The New Tenant with Amédée and Victims of Duty—the plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.”
《阿麦迪或脱身术》很能引起丑陋恐怖恶心的联想。丈夫阿麦迪/妻子玛德琳为了遮盖谋杀案,十五年来闭门谢客阻绝人际交往,卧室的尸体中了邪祟似的不断膨胀伸展到饭厅(还有各处发育的蘑菇),加速侵占了活人的生存空间。违反常理变大的尸身和许多散乱堆放的家具包围淹没了主角,摧垮其精神,表情忧愁哀伤,举动烦躁抓狂,无奈的形象甚是渺小可怜。道具直接传达人类被物品欲望控制威胁的“异化”概念近乎明喻。
评分《阿麦迪或脱身术》很能引起丑陋恐怖恶心的联想。丈夫阿麦迪/妻子玛德琳为了遮盖谋杀案,十五年来闭门谢客阻绝人际交往,卧室的尸体中了邪祟似的不断膨胀伸展到饭厅(还有各处发育的蘑菇),加速侵占了活人的生存空间。违反常理变大的尸身和许多散乱堆放的家具包围淹没了主角,摧垮其精神,表情忧愁哀伤,举动烦躁抓狂,无奈的形象甚是渺小可怜。道具直接传达人类被物品欲望控制威胁的“异化”概念近乎明喻。
评分《阿麦迪或脱身术》很能引起丑陋恐怖恶心的联想。丈夫阿麦迪/妻子玛德琳为了遮盖谋杀案,十五年来闭门谢客阻绝人际交往,卧室的尸体中了邪祟似的不断膨胀伸展到饭厅(还有各处发育的蘑菇),加速侵占了活人的生存空间。违反常理变大的尸身和许多散乱堆放的家具包围淹没了主角,摧垮其精神,表情忧愁哀伤,举动烦躁抓狂,无奈的形象甚是渺小可怜。道具直接传达人类被物品欲望控制威胁的“异化”概念近乎明喻。
评分《阿麦迪或脱身术》很能引起丑陋恐怖恶心的联想。丈夫阿麦迪/妻子玛德琳为了遮盖谋杀案,十五年来闭门谢客阻绝人际交往,卧室的尸体中了邪祟似的不断膨胀伸展到饭厅(还有各处发育的蘑菇),加速侵占了活人的生存空间。违反常理变大的尸身和许多散乱堆放的家具包围淹没了主角,摧垮其精神,表情忧愁哀伤,举动烦躁抓狂,无奈的形象甚是渺小可怜。道具直接传达人类被物品欲望控制威胁的“异化”概念近乎明喻。
评分《阿麦迪或脱身术》很能引起丑陋恐怖恶心的联想。丈夫阿麦迪/妻子玛德琳为了遮盖谋杀案,十五年来闭门谢客阻绝人际交往,卧室的尸体中了邪祟似的不断膨胀伸展到饭厅(还有各处发育的蘑菇),加速侵占了活人的生存空间。违反常理变大的尸身和许多散乱堆放的家具包围淹没了主角,摧垮其精神,表情忧愁哀伤,举动烦躁抓狂,无奈的形象甚是渺小可怜。道具直接传达人类被物品欲望控制威胁的“异化”概念近乎明喻。
Amedee and Other Plays 2024 pdf epub mobi 电子书