Understanding a Photograph

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John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps. Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

出版者:Penguin Books Ltd
作者:John Berger
出品人:
页数:240
译者:
出版时间:2013-11-7
价格:USD 12.95
装帧:
isbn号码:9780141392028
丛书系列:
图书标签:
  • 摄影 
  • 艺术 
  • Photography 
  • JohnBerger 
  • 英文 
  • 英国 
  • 英语 
  • 艺术评论 
  •  
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John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.

The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.

How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.

John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.

Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

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读后感

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大爷们为什么喜欢拍荷花呢?这不得不说荷花存在的场景,完全就是为摄影定制的。 想象一幅画面就明白了。荷叶虽然千姿百态,但它们又非常的统一,一个色调,一种型制,为一张干净的照片准备了统一又不失些许明暗变化的背景;而荷花在这个单纯的背景衬托下,骄傲独立,尤其含苞待...  

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基于中国美术学院出版社2018年三月第一版的第四次印刷。在网上找了一点书里面提到的作品,供阅读时参考。 引言Ⅳ 尤金·史密斯 《乡村医生》系列,节选 P2切·格瓦拉遗照 书中有 P5伦勃朗《尼古拉斯·杜尔普医生》书中有 P6曼泰尼亚《哀悼基督》书中有 P17 美国士兵审问南越农...  

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个人觉得看这本书时要注意带点批判的思想,为什么这样说呢?因为我们和约翰伯格的文化背景不同,有时候对一张照片先入为主的印象就会不同。 我在看《西装与照片》那一章时就有这种感觉,约翰伯格说就算把那三位农民的头挡住,通过观察他们那不得体的西装,也能看得出他们是三个...  

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用户评价

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I need to understand photography more to understand a photograph

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太难读

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你所喜爱的,是那个评论艺术的伯格还是那个关怀贫苦人群的伯格?渐渐寻找到答案。

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I need to understand photography more to understand a photograph

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在意时间与情景,样貌与行动。

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