Understanding a Photograph

John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps. Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

出版者:Penguin Books Ltd

作者:John Berger

页数:240

出版时间:2013-11-7

价格:USD 12.95

isbn号码:9780141392028

图书标签:摄影艺术PhotographyJohnBerger英文英国英语艺术评论

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John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.

The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.

How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.

John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.

Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

读后感

基于中国美术学院出版社2018年三月第一版的第四次印刷。在网上找了一点书里面提到的作品，供阅读时参考。 引言Ⅳ 尤金·史密斯 《乡村医生》系列，节选 P2切·格瓦拉遗照 书中有 P5伦勃朗《尼古拉斯·杜尔普医生》书中有 P6曼泰尼亚《哀悼基督》书中有 P17 美国士兵审问南越农...  

（主要是一些与主题关系不紧密的胡思乱想） 近期一直苦恼于厌恶自己无处不在的理性主义，约翰·伯格给了我一种答案：用感性去触碰，去观察，去体会，以此来带动理性，去理解。这和我不久前得出的一个想法不谋而合：去认识一个人，不要去分析她/他。这本论摄影的著作集，有些篇...  

个人觉得看这本书时要注意带点批判的思想，为什么这样说呢？因为我们和约翰伯格的文化背景不同，有时候对一张照片先入为主的印象就会不同。 我在看《西装与照片》那一章时就有这种感觉，约翰伯格说就算把那三位农民的头挡住，通过观察他们那不得体的西装，也能看得出他们是三个...  

基于中国美术学院出版社2018年三月第一版的第四次印刷。在网上找了一点书里面提到的作品，供阅读时参考。 引言Ⅳ 尤金·史密斯 《乡村医生》系列，节选 P2切·格瓦拉遗照 书中有 P5伦勃朗《尼古拉斯·杜尔普医生》书中有 P6曼泰尼亚《哀悼基督》书中有 P17 美国士兵审问南越农...  

（主要是一些与主题关系不紧密的胡思乱想） 近期一直苦恼于厌恶自己无处不在的理性主义，约翰·伯格给了我一种答案：用感性去触碰，去观察，去体会，以此来带动理性，去理解。这和我不久前得出的一个想法不谋而合：去认识一个人，不要去分析她/他。这本论摄影的著作集，有些篇...  

用户评价

很喜欢他在讲述自己理论时那种娓娓道来的笔力。最难的那几篇反而看得最认真。到了给别人作序时，老先生往往旁征博引，刹不住脚，有些越俎代庖之意。

你所喜爱的，是那个评论艺术的伯格还是那个关怀贫苦人群的伯格？渐渐寻找到答案。

太难读

审美理论的那几篇实在太难读…后半直接写摄影家的就好懂多啦。最喜欢的还是Henri Cartier-Bresson。

你所喜爱的，是那个评论艺术的伯格还是那个关怀贫苦人群的伯格？渐渐寻找到答案。