The Property

Born in Tel Aviv in 1966, Rutu Modan is an illustrator and cartoonist. She cofounded an independent publishing house for alternative comic artists, Actus Tragicus, and has received much recognition for her work, both within Israel and abroad, including nominations for Eisner, Ignatz, and Angoulême awards. Modan has taught comics and illustration at the Bezalel Academy of Art and Design in Jerusalem, and currently lives in England with her family.

出版者:Drawn and Quarterly

作者:Rutu Modan

页数:232

译者:Jessica Cohen

出版时间:2013-5-14

价格:USD 24.95

装帧:Hardcover

isbn号码:9781770461154

图书标签:漫画以色列RutuModanGraphic_Novel绘本/漫画/图像小说绘本插画GN・COMICS・BD・MANGA

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INCLUDED ON MORE THAN TEN BEST OF THE YEAR LISTS, INCLUDING THE GUARDIAN, PUBLISHERS WEEKLY, SALON, AMAZON, AND THE WASHINGTON POST!

"Modan delights in bringing the subtlest emotional shadings to vivid and often comical life on the page...[The Property is a] wryly funny and ultimately wrenching graphic novel." -NPR

The award-winning author of Exit Wounds returns with a story about secrets, money, and the bonds of love

The Property is a work that will inspire, fascinate, and delight readers and critics alike. Savvy and insightful, elegant and subtle, Rutu Modan's second full-length graphic novel is a triumph of storytelling and fine lines.

After the death of her son, Regina Segal takes her granddaughter Mica to Warsaw, hoping to reclaim a family property lost during the Second World War. As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren't a little different than what her grandmother led her to believe.

Modan offers up a world populated by prickly seniors, smart-alecky public servants, and stubborn women-a world whose realism is expressed alternately in the absurdity of people's behavior and in the complex consequences of their sacrifices. Modan's ever-present wit is articulated perfectly in her clear-line style, while a subtle, almost muted color palette complements the true-to-life nuances of her characterization. Exit Wounds made a huge splash for this signature combination of wit, style, and realism, and The Property will cement Modan's status as one of the foremost cartoonists working today.

读后感

关于二战时犹太人悲惨遭遇的电影和书籍看过一些，那段黑暗惨绝人寰，拿起《遗产》这本漫画书时，让我不禁又想起了那段历史。《遗产》可以说是二战的后遗症。用“后遗症”这个词，是因为读了这本书，会让人忍不住又去翻看二战那段历史，还有犹太这个民族的发展历史，我甚至想起...  

班古里昂机场。 一对祖孙过安检时被拦了下来，原因是老太太带了一大瓶矿泉水。 安检员让老太太扔掉矿泉水，也许没有坐过飞机，老太太对此非常不理解：“挺好的一瓶水，你让我扔了？！” 安检员有点无奈：“不好意思，这是安全规定。”“可这是我刚买的，你看还封着盖呢！” 排...  

关于波兰，你想起了什么 关于华沙我想的全是你，时间改变了很多又什么都没有，最美的你我在瑞典夏天最美的风里。——莱吉娜 关于华沙我知道的不多，祖母故居曾经就在这里，一份遗产让我们开始了旅行，我在这里邂逅了爱情。——米卡 我对华沙没有太多的感情，为了争夺遗产我曾来...  

用户评价

一部好的图像小说真像一部让读者在自己的头脑里完成的电影，介于动静之间，可以跟着人物和故事前进，也可以自由地停下来细细地看全部的细节。没有音乐，也照样可以情绪涌动。

The people and their relationships in this book feel real.

一部好的图像小说真像一部让读者在自己的头脑里完成的电影，介于动静之间，可以跟着人物和故事前进，也可以自由地停下来细细地看全部的细节。没有音乐，也照样可以情绪涌动。

电影式分镜，神态动作细节以及色彩，情节设计和行进，各方各面臻于极致的一部作品。不太同意它的主题是以小见大的刻画战争的大伤痛，我觉得是种族主义成见，具体体现在犹太人与波兰人之间的刻板印象和中间隔着的战争这条深渊，要不干嘛把波兰老青两代男人刻画得如此绅士，话说画漫画的出现在漫画里果然不会是坏人啊。

画的不好的graphic novel好脸谱化 犹太人怎么天天钱啊钱的 还是个人经历/成长系的漫画稍微看下去一点