The massive political, economic, and social changes China has undergone during the past decade have dramatically altered its cultural landscape. The exhibition New Photography from China and its catalogue offer the first comprehensive look at the body of photographic art produced during this period. Often ambitious in scale and experimental in nature, the works featured in New Photography From China encompass a wide range of highly individual responses to these unprecedented transformations.
Essays by co-curators and distinguished scholars Christopher Phillips and Wu Hung examine the recent history and current status of photography in China. Also included are artist interviews conducted by Melissa Chiu, Lisa Corrin, and Stephanie Smith; artists' biographies; and a bibliography. Many of these artists will be introduced to the American public for the first time. This catalogue is a valuable resource for art and cultural historians, students, or anyone interested in contemporary Asian art.
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内容不够多。。文章也不够深
评分SOAS. 前言是编年史。“当代”脱不开身体、自我和历史这几个概念。纪实=“人与地”。
评分粗略一览中国影像艺术史，概括起来是历史和记忆、人和地点、自我认同和身体。某个时期一些艺术家迷之相似扑面而来放飞自我的前卫艺术看的我真真觉得好神奇…
评分粗略一览中国影像艺术史，概括起来是历史和记忆、人和地点、自我认同和身体。某个时期一些艺术家迷之相似扑面而来放飞自我的前卫艺术看的我真真觉得好神奇…
评分Sheng Qi, Rong Rong, Zhang Haier, Song Dong
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