The Story of Art, 16th Edition

Sir Ernst Hans Josef Gombrich, OM, CBE (30 March 1909 – 3 November 2001) was an Austrian-born art historian, who spent most of his working life in the United Kingdom.

出版者:Phaidon Press

作者:E.H. Gombrich

页数:688

出版时间:1995-4-9

价格:USD 69.95

装帧:Hardcover

isbn号码:9780714833552

图书标签:艺术贡布里希艺术史藝術理論美术arthistory文艺理论大学美感教育

The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over half a century. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

For this new, compact edition The Story of Art has been completely redesigned, giving a fresh perspective to Gombrich's well-loved text. The illustrations, collected together in a separate section towards the back of the book for easy reference, vividly illustrate the lively and engaging narrative and are in colour throughout.

The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the pocket edition is no exception, combining smoothly flowing text with a clear, simple design in a convenient and accessible format. The new edition allows this classic work to continue its triumphant progress for another generation, and to remain the title of first choice for all newcomers to art.

The most famous and popular book on art ever published, this quintessential "introduction to art" has been a worldwide bestseller for over four decades. In this completely redesigned 16th edition, Gombrich, a true master, combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. 440 illustrations, 376 in color.

读后感

爱好美丽的题材也爱好平淡的。 首先理解手法，然后才是感情。 逼真可美，粗略也可美。 不要随意指责画家画得不正确。 摒弃陋习和偏见，接受新画法。 艺术创作都有特定场合和目的。 美和观念曾经不是艺术家的考虑。 而是努力地追求合适的平衡。 有一颗赤子之心，捕捉每个暗示，...  

爱好美丽的题材也爱好平淡的。 首先理解手法，然后才是感情。 逼真可美，粗略也可美。 不要随意指责画家画得不正确。 摒弃陋习和偏见，接受新画法。 艺术创作都有特定场合和目的。 美和观念曾经不是艺术家的考虑。 而是努力地追求合适的平衡。 有一颗赤子之心，捕捉每个暗示，...  

《艺术的故事》是我们的第一个译本。那时初涉译坛，看到不同的译家有不同的主张，为了文字精准，尊重原著，我们倾向直译，以免有失原意。如今三十年过去，重读旧译，看到《艺术的故事》在中国有如此多的读者，虽是喜悦，但关注译文的明白晓畅和平易近人的想法不觉萌动。...  

有图的原文链接：http://www.jianshu.com/p/753a248a8880 校园门口的咖啡店里，女孩在男孩身边停下来，看到桌上摆着一本《艺术的故事》。 她环顾了下四周，低头对男孩说：“你好，不好意思，好像没有别的位置了，可以和你拼一下桌吗？” 男孩抬头看了看女孩：“当然可以。”...  

读艺术史如走马灯，如若只是一幅幅经典、一个伟大艺术家的奇闻异事，则读后心头只如流水拂过，了无痕迹，基本上没什么印象了。但是这本《艺术的故事》则不是如此，当我合上书页，细细回想，一条模模糊糊的艺术发展主线隐隐在脑中蜿蜒起伏，艺术家的故事反倒没有记住几个——本...