The Story of Art, 16th Edition

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Sir Ernst Hans Josef Gombrich, OM, CBE (30 March 1909 – 3 November 2001) was an Austrian-born art historian, who spent most of his working life in the United Kingdom.

出版者:Phaidon Press
作者:E.H. Gombrich
出品人:
页数:688
译者:
出版时间:1995-4-9
价格:USD 69.95
装帧:Hardcover
isbn号码:9780714833552
丛书系列:
图书标签:
  • 艺术 
  • 贡布里希 
  • 艺术史 
  • 藝術理論 
  • 美术 
  • arthistory 
  • 文艺理论 
  • 大学美感教育 
  •  
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The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over half a century. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

For this new, compact edition The Story of Art has been completely redesigned, giving a fresh perspective to Gombrich's well-loved text. The illustrations, collected together in a separate section towards the back of the book for easy reference, vividly illustrate the lively and engaging narrative and are in colour throughout.

The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the pocket edition is no exception, combining smoothly flowing text with a clear, simple design in a convenient and accessible format. The new edition allows this classic work to continue its triumphant progress for another generation, and to remain the title of first choice for all newcomers to art.

The most famous and popular book on art ever published, this quintessential "introduction to art" has been a worldwide bestseller for over four decades. In this completely redesigned 16th edition, Gombrich, a true master, combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. 440 illustrations, 376 in color.

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比较了李春的《西方美术史》教程和德比奇等人著的《西方艺术史》,就是贡布里希给我的收获最大。也难怪会有出到十六版,要不是他在1995年过世,我们还会看到他最新的补记呢。 李春的是典型美院式的教材,用马克思主义的唯物史观一一分析了艺术流派和艺术家产生的社会历史条件,...  

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当一件艺术品摆在我的面前时,我当如何看待它。这是作者写作此书的一个目的,同时也是我在阅读的过程中一直在思考的一个问题。 如果有人指着一幅“光怪陆离”的油画告诉我,这出自一个当代大师的手笔。我就会显得手足无措,甚至有些面红耳赤。看着那些综合交错的线条与纷繁复...

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