China Ghosts

出版者:William Morrow

作者:Jeff Gammage

页数:272

出版时间:2007

价格:USD 25.95

装帧:Hardcover

isbn号码:9780061240294

具体描述

"After eighteen years together, Christine and I are down to our last hour as a couple. By dinner we will be a threesome. It seems strange to stand so firmly atop a generational fault line, to know that in an hour you'll be a parent, to understand that your old life is disappearing before your eyes, that a new one is about to begin. . . ." </p>

Aching to expand from a couple to a family, Jeff Gammage and his wife, Christine, embarked upon a journey that would carry them across a shifting landscape of emotion—excitement, exhilaration, fear, apprehension—and through miles of red tape and bureaucratic protocol, to a breathtaking land on the other side of the world where a little girl waited. When they met Jin Yu, a silent, stoic two-year-old, in the smog-choked city of Changsha in Hunan Province, they realized that every frustrating moment of their two-year struggle was worth it. But they also realized that another journey had only begun. Now there was much to experience and learn. How do you comfort a crying toddler when you and she speak different languages? How do you fully embrace a life altered beyond recognition by new concerns, responsibilities—and a love unlike any you've felt before? </p>

Alive with insight and feeling, China Ghosts is a journalist's eye-opening depiction of the foreign adoption process and a remarkable glimpse into a different culture. Most important, it is a poignant, heartfelt, and intensely intimate chronicle of the making of a family.

读后感

it's the true story about an american journalist who adopted two girls from Chinese orphanages. After years' of trying to have a baby and failure, the couple decided they would have their child in a different way, adopting. They chose China, where many girl...

it's the true story about an american journalist who adopted two girls from Chinese orphanages. After years' of trying to have a baby and failure, the couple decided they would have their child in a different way, adopting. They chose China, where many girl...

it's the true story about an american journalist who adopted two girls from Chinese orphanages. After years' of trying to have a baby and failure, the couple decided they would have their child in a different way, adopting. They chose China, where many girl...

it's the true story about an american journalist who adopted two girls from Chinese orphanages. After years' of trying to have a baby and failure, the couple decided they would have their child in a different way, adopting. They chose China, where many girl...

it's the true story about an american journalist who adopted two girls from Chinese orphanages. After years' of trying to have a baby and failure, the couple decided they would have their child in a different way, adopting. They chose China, where many girl...

用户评价

坦白说，这本书的叙事结构对我来说是一个不小的挑战。它并非遵循传统的线性时间推进，而是像一个复杂的迷宫，充满了闪回、插入的片段，以及一些似乎毫无关联的旁白。初读时，我不得不时常停下来，翻回前几页试图理清头绪，感觉自己像是在拼凑一幅被打散的巨大拼图。但一旦我放弃了对“立刻理解一切”的执念，开始接受这种碎片化的信息流时，奇妙的事情发生了——我开始感受到作者试图营造的“时间错位感”。那些看似不经意的细节，在后续章节中突然被重新点亮，产生了一种令人战栗的回响。它要求读者付出极大的耐心和专注力，但回报也是巨大的：一种对叙事者内心世界深层次的共情。那种感觉就像是通过无数破碎的镜子，最终拼凑出一个模糊但却震撼的整体影像。这本书的深度，藏在那些被刻意模糊和省略的地方，它拒绝给出廉价的解释，而是将解读的权力交给了读者，这无疑是一种极具野心且成功的文学尝试。

这本书最让我感到困惑和着迷的一点，是它对“记忆”这一主题的处理。它似乎在探讨，我们所谓的“过去”，是否真的已经过去，还是仅仅被重新编码后储存在我们身体的某个角落？书中人物的行为动机常常是含糊不清的，似乎总有一个巨大的、未被言明的历史阴影笼罩着他们。每次当你以为你即将抓住真相时，作者又巧妙地将你引向另一个岔路口。这种“不可知性”是贯穿始终的基调。我读到后面，开始怀疑书中的叙述者本身是否可靠，他的记忆是否被扭曲，或者他是否在故意误导我们。这种不确定性，反而让整个阅读体验变得异常真实——毕竟，现实生活中的许多重大事件，其真相往往是支离破碎且充满个人偏见的。这本书巧妙地利用了这种人类经验的本质缺陷，构建了一个既令人不安又无比贴近现实的心理景观。

从纯粹的结构美学角度来看，这本书的留白艺术堪称一绝。很多重要的转折点，作者选择了“不写”，而是用环境的突变或者人物一个极其微小的动作来暗示。这需要读者填补大量的空白，而这些被填补的内容，都是读者自己内心最深处的恐惧和想象的产物。例如，某个角色离奇的失踪，书里只用了一页纸的篇幅一带而过，但正是这种轻描淡写，反而让那片空白处产生了巨大的引力，我的思绪在那一页纸之后久久不散，不断地去推测和构建那个“未被讲述的故事”。这种叙事手法对读者的主动参与度要求极高，它不是被动接受信息，而是主动参与到作品的创造过程中。对于那些喜欢从文本的缝隙中寻找作者隐藏线索的深度阅读者来说，这本书简直是一座取之不尽的宝库。它证明了，有时最强大的力量，恰恰来自于那些被刻意省略的声音和画面。

这本书的文字像一团雾，朦胧而引人入胜。我一开始被它的封面吸引，那种带着微微泛黄的旧照片质感，仿佛预示着一个深藏的秘密。阅读的过程中，我感到自己被一种缓慢而坚定的节奏牵引着，不是那种跌宕起伏的惊悚，而是一种渗透骨髓的、细微的、几乎难以察觉的寒意。作者对环境的描摹极其细腻，那些老旧的建筑、潮湿的空气，甚至微弱的光线，都成了故事的一部分，它们不仅仅是背景，更像是呼吸着、有着自己生命的实体。我尤其欣赏叙事者那种近乎疏离的冷静，他似乎只是一个记录者，却又将我们带入了一种非常私人化的体验之中。读完合上书的那一刻，我没有如释重负的感觉，反而有一种意犹未尽的空虚，仿佛刚才经历的那些场景，并没有真正结束，它们只是暂时退回了阴影之中，等待着下一次被唤醒。这本书读起来更像是一场漫长的、带着某种宿命感的梦境，醒来后，关于梦的内容细节可能模糊，但那种挥之不去的情绪和氛围却牢牢地占据着心头。

我必须承认，这本书的语言风格是极其华丽且富有音乐性的，这在当代文学中已属罕见。作者仿佛是一位精通古典乐谱的指挥家，每一个句子的停顿、每一个词语的选择都经过了深思熟虑，营造出一种近乎巴洛克式的繁复美感。然而，这种美感有时也带来阅读上的阻力。很多段落需要我放慢语速，反复咀嚼才能领会其背后的隐喻和多重含义。它不像那些直白的畅销书那样追求阅读的顺畅感，反而像一株需要悉心照料的奇异植物，需要特定的光照和湿度才能绽放。我记得有几处描述，涉及自然现象与人物心境的交融，那种诗意的张力几乎让我屏住了呼吸。对于追求情节驱动的读者来说，这可能会显得拖沓甚至故作高深，但我个人非常享受这种被文字的质感包裹的感觉。它提供了一种智力上的愉悦，一种与文字进行深度对话的满足感，远超故事本身带来的感官刺激。