It has long been recognised that the Gothic genre sensationalised beliefs and practices associated with Catholicism. Often, the rhetorical tropes and narrative structures of the Gothic, with its lurid and supernatural plots, were used to argue that both Catholicism and sexual difference were fundamentally alien and threatening to British Protestant culture. Ultimately, however, the Gothic also provided an imaginative space in which unconventional writers from John Henry Newman to Oscar Wilde could articulate an alternative vision of British culture. Patrick O'Malley charts these developments from the origins of the Gothic novel in the mid-eighteenth century, through the mid-nineteenth-century sensation novel, toward the end of the Victorian Gothic in Bram Stoker's Dracula and Thomas Hardy's Jude the Obscure. O'Malley foregrounds the continuing importance of Victorian Gothic as a genre through which British authors defined their culture and what was outside it.
發表於2024-11-13
Catholicism, Sexual Deviance, and Victorian Gothic Culture 2024 pdf epub mobi 電子書 下載
圖書標籤: 維多利亞時代 哥特 goth Victorian English 2006 19thCentuary
Catholicism, Sexual Deviance, and Victorian Gothic Culture 2024 pdf epub mobi 電子書 下載