"Based on contemporary reports and, more recently,on recordings,this tudy by an English pianist examines the major elements in Chopin's own playing,his preference for small pianos and for performing for an intimate circle of friends.Methuen-Campbell traces the history of Chopin playing by his contemporaries and pupils,then by their pupils,and finally ,pianist by pianist,by performers who represent many intellectual and artistic approaches.In effect,this becomes a thoroughly engrossing history of piano performance in microcosm."
-----Publishers Weekly
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