Domination and the Arts of Resistance

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received his bachelor's degree from Williams College and his MA and PhD (1967) from Yale. He taught at the University of Wisconsin–Madison until 1976, when he returned to Yale. Now Scott is the Sterling Professor of Political Science and Professor of Anthropology and is Director of the Agrarian Studies Program. He is a Fellow of the American Academy of Arts and Sciences, has held grants from the National Science Foundation, the National Endowment for the Humanities, and the Guggenheim Foundation, and has been a fellow at the Center for Advanced Study in the Behavioral Science, Science, Technology and Society Program at M.I.T., and the Institute for Advanced Study, Princeton.

His research concerns political economy, comparative agrarian societies, theories of hegemony and resistance, peasant politics, revolution, Southeast Asia, theories of class relations and anarchism. He is currently teaching Agrarian Studies and Rebellion, Resistance and Repression.

Scott lives in Connecticut, where he raises sheep.

出版者:Yale University Press
作者:James C. Scott
出品人:
頁數:251
译者:
出版時間:1992-7-29
價格:USD 25.00
裝幀:Paperback
isbn號碼:9780300056693
叢書系列:
圖書標籤:
  • 社會學 
  • 政治學 
  • 斯科特 
  • 話語研究 
  • 人類學 
  • 文化研究 
  • 政治社會學 
  • Scott 
  •  
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Received an Honorable Mention for the 1990 Professional/Scholarly Publishing Division Award in the History, Government, and Political Science category given by the AAP

"Play fool, to catch wise."—proverb of Jamaican slaves Confrontations between the powerless and powerful are laden with deception—the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, renowned social scientist James C. Scott offers a penetrating discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage—what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, Scott examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. Scott describes the ideological resistance of subordinate groups—their gossip, folktales, songs, jokes, and theater—their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally, he identifies—with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign—the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power. His landmark work will revise our understanding of subordination, resistance, hegemony, folk culture, and the ideas behind revolt.

From Yale University Press, http://yalepress.yale.edu/Yupbooks/book.asp?isbn=9780300056693

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隻是說不是我的菜。。。。

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Everybody knows it... but still confusing after writing a term paper (Fall, 2013) about it. May be re-read in the future.--2016 Mar 16th

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Everybody knows it... but still confusing after writing a term paper (Fall, 2013) about it. May be re-read in the future.--2016 Mar 16th

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用整個清明假期啃瞭英文版的第1、3章,斯科特的概念總是提得很石破天驚,但是論證總是不著邊際。p.s.:啃學術paper對英文很有挑戰呀!!

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vastly interesting; "true self"/mask theory; the second Scott book

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