Steven Jacobs is an art historian who has published widely on the photographic and cinematic representations of architecture, cities, and landscapes. He currently lectures on film history at Sint Lukas College of Art Brussels and the Academy of Fine Arts in Ghent, and on urban studies at Erasmus University Rotterdam.
发表于2024-12-22
The Wrong House: The Architecture of Alfred Hitchcock 2024 pdf epub mobi 电子书
I just finished reading this fascinating book about the architecture in Hitchcock's films. The book gives in-depth discussions on Hitchcock’s unique way of set design and filming techniques based on his profound understanding of space and visual way of thi...
评分I just finished reading this fascinating book about the architecture in Hitchcock's films. The book gives in-depth discussions on Hitchcock’s unique way of set design and filming techniques based on his profound understanding of space and visual way of thi...
评分I just finished reading this fascinating book about the architecture in Hitchcock's films. The book gives in-depth discussions on Hitchcock’s unique way of set design and filming techniques based on his profound understanding of space and visual way of thi...
评分I just finished reading this fascinating book about the architecture in Hitchcock's films. The book gives in-depth discussions on Hitchcock’s unique way of set design and filming techniques based on his profound understanding of space and visual way of thi...
评分I just finished reading this fascinating book about the architecture in Hitchcock's films. The book gives in-depth discussions on Hitchcock’s unique way of set design and filming techniques based on his profound understanding of space and visual way of thi...
图书标签: 建筑 电影 Hitchcock architecture 空间 film 艺术史 電影
In the films of Alfred Hitchcock, architecture plays an important role. Having worked as a set designer in the early 1920s, Hitchcock remained intensely concerned with the art direction of his films. In addition, the ’master of suspense’ made some remarkable single-set films, such as Rope and Rear Window, that explicitly deal with the way the confines of the set relate to those of the architecture on screen. Spaces of confinement also turn up in the ’Gothic plot’ of films in which the house is presented as an uncanny labyrinth and a trap. Furthermore, it became a Hitchcock hallmark to use famous monuments as the location for a climactic scene. Last but not least, Hitchcock used architectural motifs such as stairs and windows, which are closely connected to Hitchcockian narrative structures (suspense) or typical Hitchcock themes (voyeurism). Apart from dealing with these issues extensively, Steven Jacobs discusses at length a series of domestic buildings with the help of a number of reconstructed floor plans especially made for this publication.
作為建築和電影的雙料愛好者 讀起來覺得趣味盎然 不足就在於希區科克的作品看得還不夠多啊 有時覺得自己太渺小 浩瀚電影長河中那麼多佳作 如何能都有涉獵
评分作為建築和電影的雙料愛好者 讀起來覺得趣味盎然 不足就在於希區科克的作品看得還不夠多啊 有時覺得自己太渺小 浩瀚電影長河中那麼多佳作 如何能都有涉獵
评分作為建築和電影的雙料愛好者 讀起來覺得趣味盎然 不足就在於希區科克的作品看得還不夠多啊 有時覺得自己太渺小 浩瀚電影長河中那麼多佳作 如何能都有涉獵
评分在AHO的图书馆里看到了这本书,电影建筑里也不乏一些富有情趣的创意,省略了一些元素,但突出了要素。
评分作為建築和電影的雙料愛好者 讀起來覺得趣味盎然 不足就在於希區科克的作品看得還不夠多啊 有時覺得自己太渺小 浩瀚電影長河中那麼多佳作 如何能都有涉獵
The Wrong House: The Architecture of Alfred Hitchcock 2024 pdf epub mobi 电子书