Josh Zeitz has taught American history and politics at Cambridge University, Harvard University, and Princeton University. He is the author of several books on American political and social history and has written for the New York Times, Washington Post, LA Times, Smithsonian Magazine, The New Republic, The Atlantic, Dissent, American Heritage, and Mother Jones.
Josh also appeared as a commentator on two PBS documentaries –Boomer Century, and Ken Burns's Prohibition.
A former gubernatorial speechwriter and policy aide, Josh earned his B.A. with highest honors at Swarthmore College and his Ph.D. in American History at Brown University. He lives in Hoboken and Ocean Grove, New Jersey with his wife, Angela Zeitz, an artist, and their two daughters.
Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New Woman of the 1920s puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.
Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America’s first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness.
The men and women who made the flapper were a diverse lot.
There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control.
Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself “Lipstick” and gave New Yorker readers a thrilling entrée into Manhattan’s extravagant Jazz Age nightlife.
In California, where orange groves gave way to studio lots and fairytale mansions, three of America’s first celebrities—Clara Bow, Colleen Moore, and Louise Brooks, Hollywood’s great flapper triumvirate—fired the imaginations of millions of filmgoers.
Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States.
Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America—and a nation of consumers was born.
Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete.
With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.
From the Hardcover edition.
發表於2024-11-22
Flapper 2024 pdf epub mobi 電子書 下載
《摩登女》一書讀到結尾那一章“承受不起的奢侈”, Chanel所承認的一生最愛是博伊,因為他是真正關注過她的夢想的人,雖然他娶瞭另一個女人。 當博伊齣車禍死去後,她奔到齣事地點,痛哭流涕。 隨後她推齣瞭“小黑服”,並告訴好友:她已讓整個世界為博伊居喪。 讀到這裏,我...
評分《摩登女》一書讀到結尾那一章“承受不起的奢侈”, Chanel所承認的一生最愛是博伊,因為他是真正關注過她的夢想的人,雖然他娶瞭另一個女人。 當博伊齣車禍死去後,她奔到齣事地點,痛哭流涕。 隨後她推齣瞭“小黑服”,並告訴好友:她已讓整個世界為博伊居喪。 讀到這裏,我...
評分《摩登女》一書讀到結尾那一章“承受不起的奢侈”, Chanel所承認的一生最愛是博伊,因為他是真正關注過她的夢想的人,雖然他娶瞭另一個女人。 當博伊齣車禍死去後,她奔到齣事地點,痛哭流涕。 隨後她推齣瞭“小黑服”,並告訴好友:她已讓整個世界為博伊居喪。 讀到這裏,我...
評分世界於1922年左右一分為二…… ——威拉·凱瑟 如果美國女性的現代性肇始於一小撮人的“高級八卦”,你怎麼想? 後現代熱病在這幾年似乎稍稍退去,反正我是在頂禮膜拜和暈頭轉嚮並存的復雜情感糾結下,毅然決然趟齣那淌渾水,...
評分世界於1922年左右一分為二…… ——威拉·凱瑟 如果美國女性的現代性肇始於一小撮人的“高級八卦”,你怎麼想? 後現代熱病在這幾年似乎稍稍退去,反正我是在頂禮膜拜和暈頭轉嚮並存的復雜情感糾結下,毅然決然趟齣那淌渾水,...
圖書標籤: flapper 20年代 Fashion 女性 NONFICTION 爵士時代 ★
爵士時代浮世繪,鏡頭對準這樣的一個群體——“flapper”,生於mass production and mass reproduction的一代女性,嚮性愛與時尚敞開懷抱,在redefine浪漫與婚戀、將維多利亞時代的“禮義廉恥”置諸腦後的狂奔中,消費主義是武裝抑或是畫地為牢,追逐autonomy與命運的主導權,盡管individuality是在對flapper群體新範式的conformity中所確立的。或許可以這麼說:“The flapper was, in effect, the first thorough modern American.”
評分爵士時代浮世繪,鏡頭對準這樣的一個群體——“flapper”,生於mass production and mass reproduction的一代女性,嚮性愛與時尚敞開懷抱,在redefine浪漫與婚戀、將維多利亞時代的“禮義廉恥”置諸腦後的狂奔中,消費主義是武裝抑或是畫地為牢,追逐autonomy與命運的主導權,盡管individuality是在對flapper群體新範式的conformity中所確立的。或許可以這麼說:“The flapper was, in effect, the first thorough modern American.”
評分爵士時代浮世繪,鏡頭對準這樣的一個群體——“flapper”,生於mass production and mass reproduction的一代女性,嚮性愛與時尚敞開懷抱,在redefine浪漫與婚戀、將維多利亞時代的“禮義廉恥”置諸腦後的狂奔中,消費主義是武裝抑或是畫地為牢,追逐autonomy與命運的主導權,盡管individuality是在對flapper群體新範式的conformity中所確立的。或許可以這麼說:“The flapper was, in effect, the first thorough modern American.”
評分爵士時代浮世繪,鏡頭對準這樣的一個群體——“flapper”,生於mass production and mass reproduction的一代女性,嚮性愛與時尚敞開懷抱,在redefine浪漫與婚戀、將維多利亞時代的“禮義廉恥”置諸腦後的狂奔中,消費主義是武裝抑或是畫地為牢,追逐autonomy與命運的主導權,盡管individuality是在對flapper群體新範式的conformity中所確立的。或許可以這麼說:“The flapper was, in effect, the first thorough modern American.”
評分爵士時代浮世繪,鏡頭對準這樣的一個群體——“flapper”,生於mass production and mass reproduction的一代女性,嚮性愛與時尚敞開懷抱,在redefine浪漫與婚戀、將維多利亞時代的“禮義廉恥”置諸腦後的狂奔中,消費主義是武裝抑或是畫地為牢,追逐autonomy與命運的主導權,盡管individuality是在對flapper群體新範式的conformity中所確立的。或許可以這麼說:“The flapper was, in effect, the first thorough modern American.”
Flapper 2024 pdf epub mobi 電子書 下載