Kathy Davis is currently senior research fellow in the PARIS research program and the Department of Sociology at the VU University Amsterdam in the Netherlands.

Born in the US, she has taught psychology, sociology, and gender studies at universities in Europe and the Netherlands. Since 1990, she has worked as associate professor in women's studies and, later, as senior researcher at the Institute of History and Culture at Utrecht University. She has held visiting chairs and research fellowships in the United States at Wellesley College, Columbia University, the Radcliffe Institute of Advanced Studies at Harvard University as well as in Germany (Maria Jahoda Chair for International Women's Studies), Sweden, and Finland.

Kathy Davis has a long-standing interest in feminist scholarship on women's bodies and health. Her work is situated at the cutting edge between cultural studies, gender studies, and the sociology of the body. She has published extensively on contemporary feminist approaches to the body, interaction between physicians and women patients, cultural constructions of beauty and beauty practices, and the political and ethical dimensions of surgical technologies. Her research interests also include biography as methodology, reflexivity, intersectionality, feminism as travelling theory, and transnational biographies, social practices, and theory. She is currently working on a book about tango and passion in a transnational perspective.

Cosmetic surgery is the fastest growing medical speciality in both the U.S. and western Europe. The surgical fix' belongs to the growing arsenal of practices and technologies which are aimed at transforming the female body for the sake of beauty.' Despite its increasing popularity, cosmetic surgery is controversial. It raises the question of why women are willing to put themselves under the knife for operations which are painful, expensive, risky and often leave them in worse shape than they were before. Reshaping the Female Body attempts to make sense of women's involvement in cosmetic surgery. Whereas traditional explanations have tended to look to female narcissism, lack of self-esteem and susceptibility to the lures of consumer capitalism and myths of eternal youth or perfect beauty, Kathy Davis situates cosmetic surgery in a feminist analysis of the cultural constraints of femininity. At the same time, however, she argues against the notion that women who have cosmetic surgery are victims of ideological manipulation, blindly complying with cultural definitions of feminine beauty. Cosmetic surgery is less about beauty than about being ordinary. Davis argues that, paradoxically, cosmetic surgery can be a way for some women to become embodied subjects who by reshaping their bodies can remake their lives. She cautions against condemning cosmetic surgery as inherently repressive and, therefore, politically incorrect,' arguing instead for an approach which accepts the unease which cosmetic surgery invokes, while taking seriously the reasons of women who see it as their only option under the circumstances. Reshaping the Female Body sees cosmetic surgery as a dilemma: both symptom and solution, oppression and liberation, all in one.