Toni Morrison's first novel, The Bluest Eye (1970), was acclaimed as the work of an important talent, written--as John Leonard said in The New York Times --in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry."
Sula has the same power, the same beauty.
At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes.
Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped.
Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by staying upright, helping out at church suppers, asking after folks--where you deal with evil by surviving it.
Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned...
In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.
托妮•莫裏森(Toni Morrison)
美國著名女作傢。1931年生於俄亥俄州,曾在蘭登書屋擔任高級編輯,後赴普林斯頓大學等校任教。代錶作有《最藍的眼睛》《所羅門之歌》《寵兒》《爵士樂》《愛》《恩惠》等,囊括普利策小說奬、美國國傢圖書奬、全美書評傢協會奬三項美國最重要的圖書大奬,1993年榮獲諾貝爾文學奬。
《秀拉》是那種一生不會遇到超過10本的書,是那種足以裂土的書,是托妮莫裏森最薄的書。 我眼中,也是她最重的書。 故事很簡單:秀拉和奈爾是早年的是手帕交,早早就有朝天下叛逆的跡象。多年以後,秀拉迴到傢鄉,幾下子就成瞭韆夫所指,唯有奈爾依舊給她一份溫柔和一份愛。但...
評分 評分Mr. Luo says that when you finish this ,you can write a paper for 5000 words, i remmber i just smiled . this a book about love, hate, self-consciousness, mothers and daugthers, sex and possession. Morrison is a mster of mythology, indeed. she employs many...
評分這本書的腰封裏有兩句話“愛是天空。背叛是閃電,撕裂天空,讓我們看清楚。”“仇人會傷害一個人,朋友則會徹底毀滅一個人。”我總覺得這兩句介紹用的不恰當,用詞太大膽,怎麼能說是“背叛”?怎麼能說是“毀滅”?你們覺得呢?
評分這本書的腰封裏有兩句話“愛是天空。背叛是閃電,撕裂天空,讓我們看清楚。”“仇人會傷害一個人,朋友則會徹底毀滅一個人。”我總覺得這兩句介紹用的不恰當,用詞太大膽,怎麼能說是“背叛”?怎麼能說是“毀滅”?你們覺得呢?
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