具体描述
Whoever wrote "Make 'em laugh!" knew that it's easier said than done. But people love to laugh, and good comedy will always sell. With the help of this complete and entertaining guide, writers and would-be writers for film and television can look forward to writing comedy that goes far beyond stereotypic jokes and characters. In "Laughing Out Loud", award-winning screenwriter and author Andrew Horton blends history, theory, and analysis of comedy with invaluable advice. Using examples from Chaplin to Seinfeld, Aristophanes to Woody Allen, Horton describes comedy as a perspective rather than merely as a genre and then goes on to identify the essential elements of comedy. His lively overview of comedy's history traces its two main branches - anarchistic comedy and romantic comedy - from ancient Greece through contemporary Hollywood, by way of commedia dell'arte, vaudeville, and silent movies. Television and international cinema are included in Horton's analysis, which leads into an up-close review of the comedy chemistry in a number of specific films and television shows. The rest of the book is a practical guide to writing feature comedy and episodic TV comedy, complete with schedules and exercises designed to unblock any writer's comic potential. The appendices offer tips on networking, marketing, and even producing comedies, and are followed by a list of recommended comedies and a bibliography.
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前几天看了这哥们儿写的“How to Write a Character-Centered Screenplay”, 觉得不错，于是继续阅读了这本“Writing the Comedy-Centered Screenplay”。 算是延续了上一本书的做法：1）简要讲述了喜剧的原理 2）具体分析了几个喜剧（宋飞传和辛普森一家）3）如何在14周写一个喜剧电影+7周写一个喜剧剧集的日程。总的来说是不错的入门书籍，但是我觉得深度比之前那本要低很多，不过入门和起步，这本书都够了。不过也确实，喜剧是靠练出来的，光看书没用，所以这本简短的书倒也起到了恰如其分的作用了。
评分前几天看了这哥们儿写的“How to Write a Character-Centered Screenplay”, 觉得不错，于是继续阅读了这本“Writing the Comedy-Centered Screenplay”。 算是延续了上一本书的做法：1）简要讲述了喜剧的原理 2）具体分析了几个喜剧（宋飞传和辛普森一家）3）如何在14周写一个喜剧电影+7周写一个喜剧剧集的日程。总的来说是不错的入门书籍，但是我觉得深度比之前那本要低很多，不过入门和起步，这本书都够了。不过也确实，喜剧是靠练出来的，光看书没用，所以这本简短的书倒也起到了恰如其分的作用了。
评分前几天看了这哥们儿写的“How to Write a Character-Centered Screenplay”, 觉得不错，于是继续阅读了这本“Writing the Comedy-Centered Screenplay”。 算是延续了上一本书的做法：1）简要讲述了喜剧的原理 2）具体分析了几个喜剧（宋飞传和辛普森一家）3）如何在14周写一个喜剧电影+7周写一个喜剧剧集的日程。总的来说是不错的入门书籍，但是我觉得深度比之前那本要低很多，不过入门和起步，这本书都够了。不过也确实，喜剧是靠练出来的，光看书没用，所以这本简短的书倒也起到了恰如其分的作用了。
评分前几天看了这哥们儿写的“How to Write a Character-Centered Screenplay”, 觉得不错，于是继续阅读了这本“Writing the Comedy-Centered Screenplay”。 算是延续了上一本书的做法：1）简要讲述了喜剧的原理 2）具体分析了几个喜剧（宋飞传和辛普森一家）3）如何在14周写一个喜剧电影+7周写一个喜剧剧集的日程。总的来说是不错的入门书籍，但是我觉得深度比之前那本要低很多，不过入门和起步，这本书都够了。不过也确实，喜剧是靠练出来的，光看书没用，所以这本简短的书倒也起到了恰如其分的作用了。
评分前几天看了这哥们儿写的“How to Write a Character-Centered Screenplay”, 觉得不错，于是继续阅读了这本“Writing the Comedy-Centered Screenplay”。 算是延续了上一本书的做法：1）简要讲述了喜剧的原理 2）具体分析了几个喜剧（宋飞传和辛普森一家）3）如何在14周写一个喜剧电影+7周写一个喜剧剧集的日程。总的来说是不错的入门书籍，但是我觉得深度比之前那本要低很多，不过入门和起步，这本书都够了。不过也确实，喜剧是靠练出来的，光看书没用，所以这本简短的书倒也起到了恰如其分的作用了。
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