Vision is a recurring obsession in the work of twentieth-century Caribbean writers. This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean as they intersect with mainstream Modernism. While sound cultures have received more attention in studies of the Caribbean, this is the first to analyse acts of seeing, inner vision, and reflections on visual art. Mary Lou Emery analyses the art, theatre, and literature of the early twentieth century, including works by Edna Manley and Una Marson, then turns to George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, and a younger generation including Jamaica Kincaid and David Dabydeen. She argues that their preoccupation with vision directly addresses philosophies of sensory perception developed at the height of the slave trade and emerges in conditions of diaspora continuing into the present. This study is an original and important contribution to transatlantic and postcolonial studies.
具体描述
读后感
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有