Metamorphosis of the Private Sphere

1982年毕业于安徽大学外语系，1985年获北京大学英语文学硕士学位，1994年获美国哈佛大学比较文学博士学位。先后任教于美国明尼苏达大学、蒙大拿大学和圣母大学。除该书之外，还著有《领悟与描绘：中英诗歌自然意象的比较研究》（To Perceive and to Represent: A Comparative Study of Chinese and English Poetics of Nature Imagery）。曾经在美国各大学术期刊发表论文多篇。

出版者:Harvard University Asia Center

作者:Xiaoshan Yang

页数:301

出版时间:2003-10-15

价格:USD 45.00

装帧:Hardcover

isbn号码:9780674012196

丛书系列:The Harvard East Asian Monographs

图书标签:海外中国研究风景宋博士论文

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The Chinese garden has been explored from a variety of angles. Much has been written about its structural features as well as its cosmological, religious, philosophical, moral, aesthetic, and economic underpinnings. This book deals with the poetic configurations of the private garden in cities from the ninth to the eleventh century in relation to the development of the private sphere in Chinese literati culture. It focuses on the ways in which the new values and rhetoric associated with gardens and the objects found in them helped shape the processes of self-cultivation and self-imaging among the literati, as they searched for alternatives to conventional values at a time when traditional political, moral and aesthetic norms were increasingly judged inapplicable or inadequate. The garden was also an artifact and a locus for material culture and social competition. Focusing on a series of anecdotes about private transactions involving objects in gardens, the author dissects the intricate nexus between the exchange of poetry and the poetry of exchange. In tracing the development of the private urban garden through the writings of Bai Juyi, Su Shi, Sima Guang and their contemporaries, the author argues that this private space figured increasingly as a place of disengagement for those out of political power and hence was increasingly invaded by poltical forces.

读后感

“观乎处士之作，孑然弗伦，洗然无尘，意必以淳，语必以真。乐则歌之，忧则怀之。无虚美，无苟怨。”（范仲淹《唐异诗序》） “从杨亿和范仲淹批评矫揉造作的、过度的感伤情调，到欧阳修提倡即便在逆境中也要保持快乐的心境，北宋时期形成了一股新的文学思潮。邵雍的《伊川...  

“观乎处士之作，孑然弗伦，洗然无尘，意必以淳，语必以真。乐则歌之，忧则怀之。无虚美，无苟怨。”（范仲淹《唐异诗序》） “从杨亿和范仲淹批评矫揉造作的、过度的感伤情调，到欧阳修提倡即便在逆境中也要保持快乐的心境，北宋时期形成了一股新的文学思潮。邵雍的《伊川...  

后世人少有能指摘白居易在诗坛的地位和诗词中的瑕疵，后者仅朱熹等少数人做到。在学生时代，语文老师也将几乎所有精力花在词藻和修辞上，希望学生通过机械地背诵，自行领悟诗词背后的意义。 读罢此书，我们对部分唐宋诗人词人有了不小的改观。也从价值观、处事观等角度深入洞察...  

后世人少有能指摘白居易在诗坛的地位和诗词中的瑕疵，后者仅朱熹等少数人做到。在学生时代，语文老师也将几乎所有精力花在词藻和修辞上，希望学生通过机械地背诵，自行领悟诗词背后的意义。 读罢此书，我们对部分唐宋诗人词人有了不小的改观。也从价值观、处事观等角度深入洞察...  

用户评价

第二章里有关于用窗来借景的古文考证,尽管只限诗文而不全面,但仍不失为有益的尝试.

中唐到北宋末年文人的生活方式。真是迷人。

第二章里有关于用窗来借景的古文考证,尽管只限诗文而不全面,但仍不失为有益的尝试.

中唐到北宋末年文人的生活方式。真是迷人。

中唐到北宋末年文人的生活方式。真是迷人。