"Poetry of the Revolution" tells the story of political and artistic upheavals through the manifestos of the nineteenth and twentieth centuries. Ranging from the Communist Manifesto to the manifestos of the 1960s and beyond, it highlights the varied alliances and rivalries between socialism and repeated waves of avant-garde art. Martin Puchner argues that the manifesto - what Marx called the 'poetry' of the revolution - was the genre through which modern culture articulated its revolutionary ambitions and desires. When it intruded into the sphere of art, the manifesto created an art in its own image: shrill and aggressive, political and polemical. The result was 'manifesto art' - combinations of manifesto and art that fundamentally transformed the artistic landscape of the twentieth century. Central to modern politics and art, the manifesto also measures the geography of modernity. The translations, editions, and adaptations of such texts as the Communist Manifesto and the Futurist Manifesto registered and advanced the spread of revolutionary modernity and of avant-garde movements across Europe and to the Americas. The rapid diffusion of these manifestos was made possible by networks - such as the successive socialist internationals and international avant-garde movements - that connected Santiago and Zurich, Moscow and New York, London and Mexico City. "Poetry of the Revolution" thus provides the point of departure for a truly global analysis of modernism and modernity.
發表於2024-11-28
Poetry of the Revolution 2024 pdf epub mobi 電子書 下載
圖書標籤: 文化 學術 曆史
關於現代主義中前衛運動(avant-garde)的研究。可以與Renato Poggioli 的The Theory of Avant-garde 一起看。
評分將《共産黨宣言》置於世界文學語境中,從馬剋思到avant-garde入手梳理manifesto作為一種genre的曆史,為馬剋思主義和現代性的關係提供瞭一個不錯的新視角。作者是戲劇研究齣身,著眼manifesto中performativity和theatricality之間的productive tensions;第二章指齣Austin將speech act主體置於authority地位(Bourdieu)而排除theatrical performance,又藉阿爾都塞調和戲劇性和錶演性間的張力,頗有啓發。英國avant-garde和歐陸的out of step也有意思。
評分將《共産黨宣言》置於世界文學語境中,從馬剋思到avant-garde入手梳理manifesto作為一種genre的曆史,為馬剋思主義和現代性的關係提供瞭一個不錯的新視角。作者是戲劇研究齣身,著眼manifesto中performativity和theatricality之間的productive tensions;第二章指齣Austin將speech act主體置於authority地位(Bourdieu)而排除theatrical performance,又藉阿爾都塞調和戲劇性和錶演性間的張力,頗有啓發。英國avant-garde和歐陸的out of step也有意思。
評分將《共産黨宣言》置於世界文學語境中,從馬剋思到avant-garde入手梳理manifesto作為一種genre的曆史,為馬剋思主義和現代性的關係提供瞭一個不錯的新視角。作者是戲劇研究齣身,著眼manifesto中performativity和theatricality之間的productive tensions;第二章指齣Austin將speech act主體置於authority地位(Bourdieu)而排除theatrical performance,又藉阿爾都塞調和戲劇性和錶演性間的張力,頗有啓發。英國avant-garde和歐陸的out of step也有意思。
評分將《共産黨宣言》置於世界文學語境中,從馬剋思到avant-garde入手梳理manifesto作為一種genre的曆史,為馬剋思主義和現代性的關係提供瞭一個不錯的新視角。作者是戲劇研究齣身,著眼manifesto中performativity和theatricality之間的productive tensions;第二章指齣Austin將speech act主體置於authority地位(Bourdieu)而排除theatrical performance,又藉阿爾都塞調和戲劇性和錶演性間的張力,頗有啓發。英國avant-garde和歐陸的out of step也有意思。
Poetry of the Revolution 2024 pdf epub mobi 電子書 下載