First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.
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Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
评分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
评分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
评分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
评分Tania Modleski Hitchcock, Feminisim, and Patriarchal Unconscious Introduction: 1. The introduction of the author Modleski. 2. The significance of Modleski's study of Hitchcock: shifts the ground(premise) of the debata on female spectatorship and the pleasur...
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评分Modleski一反film studies业界对Hitch“厌恶女人”的惯性看法，也不支持Hitch其实在作品里深深同情女人在父权之下的迫害，她总结hitch的态度为thoroughgoing ambivalence. 非常同意。应该是每个研究Hitch或者对Hitchcock感兴趣的影迷的必读书籍吧
评分图书馆
评分Modleski一反film studies业界对Hitch“厌恶女人”的惯性看法，也不支持Hitch其实在作品里深深同情女人在父权之下的迫害，她总结hitch的态度为thoroughgoing ambivalence. 非常同意。应该是每个研究Hitch或者对Hitchcock感兴趣的影迷的必读书籍吧
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