Virtual Voyages 2024 pdf epub mobi 电子书

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发表于2024-12-28

Virtual Voyages 2024 pdf epub mobi 电子书

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出版者:Duke Univ Pr

作者:Ruoff, Jeffrey

出品人:

页数:312

译者:

出版时间:2006-1

价格:$ 28.19

装帧:Pap

isbn号码:9780822337133

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Virtual Voyages 2024 pdf epub mobi 电子书图书描述

Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the post-war era of 16mm distribution, and today continues to flourish in IMAX theatres and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel. Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.

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Slightly disappointed, especially by the editor's introduction and chapter. Paula Amad and Dana Benelli's essays are the best in the volume in my perspective, with convincing argument and elegant writing style. Undoubtedly "trave film" needs more academic attention and serious scholarly treatment, and a conceptual framework is yet to be constructed

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