The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain's theatre - its agents, performance practices, and reception - over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author's rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.
具体描述
读后感
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有