This is the first fully comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural and aesthetic contexts within which it has developed. It explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times. And it reveals the hidden histories of the trombone and its players in different periods and different countries. The book looks not only at the trombone within classical music, but at its place in jazz, popular music, popular religion and light music. Herbert examines the development of written repertoires in the sixteenth century, the 'golden age' of the instrument in the seventeenth century, its descent into obscurity in the eighteenth century and its re-emergence in the expanded symphony and opera orchestras and military bands of the Romantic era. The popular music explosion of the nineteenth-century brought amateur players and showmen soloists. The impact of jazz was fundamental to the trombone, providing an alternative to the conservatoire tradition. By the late twentieth century its techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.
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