This book questions the book itself, archivization, machines for writing, and the mechanicity inherent in language, the media, and intellectuals. Derrida questions what takes place between the paper and the machine inscribing it. He examines what becomes of the archive when the world of paper is subsumed in new machines for virtualization, and whether there can be a virtual event or a virtual archive. Derrida continues his long-standing investigation of these issues, and ties them into the new themes that governed his teaching and thinking in the past few years: the secret, pardon, perjury, state sovereignty, hospitality, the university, animal rights, capital punishment, the question of what sort of mediatized world is replacing the print epoch, and the question of the "wholly other." Derrida is remarkable at making seemingly occasional pieces into part of a complexly interconnected trajectory of thought.
具體描述
讀後感
用戶評價
德裏達最糟糕的一麵。各種應製之作：走穴場閤的發言，對“德學”研究者的酬答等等。特點是疲於招架，總想取悅各方，走馬燈式地開列思路綱要但捨不得用力說透，另外還特彆流於錶演和姿態。烈士暮年，身不由己。
评分德裏達最糟糕的一麵。各種應製之作：走穴場閤的發言，對“德學”研究者的酬答等等。特點是疲於招架，總想取悅各方，走馬燈式地開列思路綱要但捨不得用力說透，另外還特彆流於錶演和姿態。烈士暮年，身不由己。
评分德裏達最糟糕的一麵。各種應製之作：走穴場閤的發言，對“德學”研究者的酬答等等。特點是疲於招架，總想取悅各方，走馬燈式地開列思路綱要但捨不得用力說透，另外還特彆流於錶演和姿態。烈士暮年，身不由己。
评分德裏達最糟糕的一麵。各種應製之作：走穴場閤的發言，對“德學”研究者的酬答等等。特點是疲於招架，總想取悅各方，走馬燈式地開列思路綱要但捨不得用力說透，另外還特彆流於錶演和姿態。烈士暮年，身不由己。
评分德裏達最糟糕的一麵。各種應製之作：走穴場閤的發言，對“德學”研究者的酬答等等。特點是疲於招架，總想取悅各方，走馬燈式地開列思路綱要但捨不得用力說透，另外還特彆流於錶演和姿態。烈士暮年，身不由己。
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