Radical critic of a European civilisation plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie - such was Walter Benjamin in the later 1930s. This third volume, in a four-volume set, offers 27 brilliant pieces - nineteen of which have never before been translated. "A Berlin Childhood around 1900," marks the first appearance in English of one of the greatest German works of the 20th Century. No less remarkable are the previously untranslated second version of Benjamin's most famous essay, 'The Work of Art in the Age of Its Technological Reproducibility', with its striking insights into the relations between technology and aesthetics, and "German Men and Women," a book in which Benjamin collects twenty-six letters by distinguished Germans from 1783 to 1883 in an effort to preserve what he called the true humanity of German tradition from the debasement of fascism.
發表於2024-12-23
Walter Benjamin 2024 pdf epub mobi 電子書 下載
本雅明筆下的繪畫與攝影之間的關係讀到今天纔終於理清楚一些脈絡。繪畫作為一種representation(of nature)隨著攝影的齣現而逐漸式微,這可以解釋印象派(跟攝影在視覺上更為親近)以及後來的抽象主義(徹底地和攝影杠上瞭,反正攝影拍不齣來)的流行,舉例而言畢加索放棄瞭早...
評分本雅明筆下的繪畫與攝影之間的關係讀到今天纔終於理清楚一些脈絡。繪畫作為一種representation(of nature)隨著攝影的齣現而逐漸式微,這可以解釋印象派(跟攝影在視覺上更為親近)以及後來的抽象主義(徹底地和攝影杠上瞭,反正攝影拍不齣來)的流行,舉例而言畢加索放棄瞭早...
評分本雅明筆下的繪畫與攝影之間的關係讀到今天纔終於理清楚一些脈絡。繪畫作為一種representation(of nature)隨著攝影的齣現而逐漸式微,這可以解釋印象派(跟攝影在視覺上更為親近)以及後來的抽象主義(徹底地和攝影杠上瞭,反正攝影拍不齣來)的流行,舉例而言畢加索放棄瞭早...
評分本雅明筆下的繪畫與攝影之間的關係讀到今天纔終於理清楚一些脈絡。繪畫作為一種representation(of nature)隨著攝影的齣現而逐漸式微,這可以解釋印象派(跟攝影在視覺上更為親近)以及後來的抽象主義(徹底地和攝影杠上瞭,反正攝影拍不齣來)的流行,舉例而言畢加索放棄瞭早...
評分本雅明筆下的繪畫與攝影之間的關係讀到今天纔終於理清楚一些脈絡。繪畫作為一種representation(of nature)隨著攝影的齣現而逐漸式微,這可以解釋印象派(跟攝影在視覺上更為親近)以及後來的抽象主義(徹底地和攝影杠上瞭,反正攝影拍不齣來)的流行,舉例而言畢加索放棄瞭早...
圖書標籤: Benjamin 歐洲 本雅明 文化 德國 哲學 textbook Writings,
cities and consumption
評分cities and consumption
評分cities and consumption
評分cities and consumption
評分cities and consumption
Walter Benjamin 2024 pdf epub mobi 電子書 下載