Professor Christopher Breward is a leading cultural historian. Appointed Principal of ECA in September 2011, he is also Vice Principal for the Creative Industries and Performing Arts and Professor of Cultural History at the University of Edinburgh. His publications and exhibitions have considered the cultural history of fashion in the West, the history and status of London and other cities as global capitals of fashion, men as consumers of dress and related histories of dandyism, and ideas of fashion, modernity and memory. He has worked on major collaborative curatorial projects funded by the Economic and Social Research Council and the Arts and Humanities Research Council.
Christopher studied at the Courtauld Institute and the Royal College of Art. Prior to joining ECA as the new College’s first Principal, he held posts at Manchester Metropolitan University, the Royal College of Art, London College of Fashion (University of the Arts London) and the Victoria & Albert Museum. He is a Governor of the Pasold Institute and a Trustee of the National Museums of Scotland. He is also an Honorary Fellow of the RCA, an Honorary Research Fellow at the V&A and a Fellow of the RSA.
In 2012, Christopher co-curated the V&A’s Olympic season exhibition British Design: Innovation in the Modern Age 1948-2012. He has contributed catalogue essays to V&A exhibitions on Quilts, Couture, Sport and Fashion, Aestheticism, Postmodernism, David Bowie and post-war Italian Fashion, and to catalogues for the exhibitions Artist, Rebel, Dandy at the Rhode Island School of Design and Ivy Style and A Queer History of Fashion at New York’s Fashion Institute of Technology. He sits on editorial and advisory boards for journals including Fashion Theory, Costume, The Happy Hypocrite, Visual Culture in Britain and Interiors: Design/Architecture/Culture and is series editor for Manchester University Press’s Studies in Design. He is currently working on the cultural history of the suit and supervising PhD students in fashion and design/decorative arts history.
http://www.eca.ed.ac.uk/eca-home/chris-breward
发表于2024-12-23
Fashion 2024 pdf epub mobi 电子书
图书标签: fashion 时装 艺术史 服装 艺术 时尚 理论 设计/艺术/fashion/media
This lively survey of 150 years of fashion covers everything from Haute Couture to the High Street, and developing fabric technology from silk to fleece. From Coco Chanel to Armani and Alexander McQueen, Breward explores fashion as a cultural phenomenon.
Breward examines the glamorous world of Vogue and advertising, the relationship between fashion and film, and fashion as a business, and goes beyond the surface to consider our interaction with fashion. How have our ideas about hygiene and comfort influenced the direction of style? How does our dress create our identity and status? Details of dandies, flappers, and punks are contained within a clear overview of the period which will make you look at your clothes in a different light.
各种有趣的问题点都具到了,但是都是一笔带过。
评分每一章都不是很长,有一些比较有意思的观点
评分Brewaid话真多!!!一句话永远那么长,且无数无数的形容词修饰语,作为一个学者又不是小说家,你要不要那么形容词啊,看的累死了
评分每一章都不是很长,有一些比较有意思的观点
评分【Oxford History of Art—Fashion】OUP出版必属精品。质量高于普通普通入门工具书。但LCF的这教授毕竟是写给大众读的时装史,内容覆盖了很多方面包括时装产业运营结构、设计师、做衣服、时装与电影、奢侈欲望以及与个人身份认同。但浅尝辄止,但timeline和附录网址很好用,适合作为随手工具书查阅。
Fashion 2024 pdf epub mobi 电子书