Edited by Maxine Berg, Professor of History, University of Warwick
Contributors:
Maxine Berg/University of Warwick
David Washbrook/Trinity College Cambridge
Jan de Vries/University of California Berkeley
Jean-Fréderic Schaub/HEHESS, Paris
Prasannan Parthasarathi/Boston College
R. Bin Wong/UCLA
Jan Luiten Van Zanden/Utrecht University
Ken Pomeranz/University of California irvine
Kaoru Sugihara/University of Kyoto
Dagmar Schäfer/University of Manchester
Craig Clunas/Oxford University
Glenn Adamson/V&A Museum
Giorgio Riello/University of Warwick
John Darwin/Oxford University
Megan Vaughan/Cambridge University
Peer Vries/University of Vienna
Sujumi So/George Mason University
Billy Kee Long So/Hong Kong University
发表于2024-11-26
Writing the History of the Global 2024 pdf epub mobi 电子书
图书标签: 艺术史 跨文化研究 比较研究/全球史 史学理论/史学史 全球史 Berg
The early part of the twenty-first century has witnessed a profound turn in history writing and museum culture towards global and world history. Historians and curators are rapidly changing what they do: no longer satisfied with traditional national histories and area studies, they are pursuing histories of subjects affected by environmental change, migration, slavery, trade and travel. They face challenges of writing about individuals and families in the world, and of political cultures and ideas that have transformed as they have moved between different regions of the world. They are 'going beyond borders' and pursuing wider concepts of connectedness and of cosmopolitanism as these have developed in social theory.
Where has all this come from, and where is it taking us as historians? Writing The History of the Global brings together a number of the major historians now entering the field and re-thinking the way they write their histories. We read the reflections of China experts, historians of India and Japan, of Latin America, Africa and Europe on their past writing, and the new directions in which global history is taking them. It shows the rapid advances in the field from early and inspiring accounts of encounters between East and West, of the wealth and poverty of nations and the crisis of empires, to new thinking on global material cultures, on composite zones and East Asian development paths.
It presents historians at a crossroads: enjoying the great excitement of moving out of national borders and reconnecting parts of the world once studied separately, but also facing the huge challenge of new methodologies of comparison, collaboration and interdisciplinarity and the problems of rapidly disappearing tools of foreign languages.
2009年British Academy开会,时隔十年重访大分流。前言给的链接已经404了;导言综述不错;Jan de Vries说到"Histories of connection...give agency to all parties"时,我心中暗喜,继续读到"to everyone in the world",哎想歪了。柯律格那篇回顾很适合引用装逼。Schaefer那篇跟何安娜2012b有异曲同工之妙。
评分主要细读了11: Craig Clunas: The Art of Global Comparisons, 原来创造Amico di Sandro的Berenson 仁兄居然对中国绘画有过这么大的兴趣。
评分柯律格的《全球比較的藝術》。
评分柯律格的《全球比較的藝術》。
评分主要细读了11: Craig Clunas: The Art of Global Comparisons, 原来创造Amico di Sandro的Berenson 仁兄居然对中国绘画有过这么大的兴趣。
Writing the History of the Global 2024 pdf epub mobi 电子书