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发表于2024-11-08

industrial madness 2024 pdf epub mobi 电子书

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出版者:Yale University Press

作者:Elizabeth Anne McCauley

出品人:

页数:464

译者:

出版时间:1994-3-23

价格:USD 245

装帧:平装

isbn号码:9780300038545

丛书系列:

图书标签: 摄影史摄影史及摄影理论

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In 1848 there were 13 commercial photographic studios in the city of Paris. By 1871 this number had expanded to almost 400. This book analyzes the origins of professional photography during the Second Empire and its transformation from a novel curiosity to a vital part of the urban environment. Drawing on extensive archival documentation, Elizabeth Anne McCauley profiles the people who became commercial photographers - the innovators, entrepreneurs, and "artistes" who tried to earn their fortunes but were beset by bankruptcy and failure. She also discusses the business of photography - the ways studios were formed, products promoted, and finaincial backers found. In a detailed analysis of five studios that represent different aspects of commercial production, from industrial photographs to art reproductions, McCauley uncovers the social, political, and psychological needs that each type of photography satisfied. For example, in an examination of the market for photographs of female nudes, McCauley documents how the photohraphs reinforces masculine stereotypes of female sexual passivity, how government responses to such inages reflected the precarousness of Napoleon III's political power, and how the photographs were positioned within ongoing arguments about realism as a new literary and artistic movement. Industrial Madness is not only a contribution to the sociology of the arts but also an exploration of the ways ideology and visual representation intersected during the decades that saw the birth of modernism. The book also includes a comprehensive listing of commercial photographers working in Paris between 1848 and 1871

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A very anti-auratic (or populist, in the author's own words) history of photography，试图用“商业摄影”打破艺术摄影vs业余摄影的二元框架，从摄影的功能性、摄影生产所需要服从的工业、技术和客户需求，触及摄影作为一个“大众媒介”所代表的工业社会的“大众”审美，以及这种价值观在试图represent真正的大众时对后者进行的治理和管理。写Nadar的章节，一个拍boho天才的天才被重塑成从同父异母弟弟手里夺回“Nadar”商标权的商人，通过统一的道具（大码天鹅绒夹克）帮拍摄主体达到boho人设却很少亲自掌机的studio老板，为满足女客户需求调整工作室补光。框架很promising可写成了externalist历史

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