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Annibale Carracci and the Beginnings of Baroque Style 2024 pdf epub mobi 电子书 著者简介

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发表于2024-11-23

Annibale Carracci and the Beginnings of Baroque Style 2024 pdf epub mobi 电子书

Annibale Carracci and the Beginnings of Baroque Style 2024 pdf epub mobi 电子书

Annibale Carracci and the Beginnings of Baroque Style 2024 pdf epub mobi 电子书

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出版者:J J Augustin

作者:Charles Dempsey

出品人:

页数:0

译者:

出版时间:1977-6

价格:USD 22.00

装帧:Hardcover

isbn号码:9780686923343

丛书系列:

Annibale Carracci and the Beginnings of Baroque Style 2024 pdf epub mobi 电子书

评分☆☆☆☆☆

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

评分☆☆☆☆☆

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

评分☆☆☆☆☆

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

评分☆☆☆☆☆

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

评分☆☆☆☆☆

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

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