Two generations ago, young men and women with only a high-school degree would have entered the plentiful industrial occupations which then sustained the middle-class ideal of a male-breadwinner family. Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In Labor’s Love Lost, noted sociologist Andrew Cherlin offers a new historical assessment of the rise and fall of working-class families in America, demonstrating how momentous social and economic transformations have contributed to the collapse of this once-stable social class and what this seismic cultural shift means for the nation’s future.
Drawing from more than a hundred years of census data, Cherlin documents how today’s marriage gap mirrors that of the Gilded Age of the late-nineteenth century, a time of high inequality much like our own. Cherlin demonstrates that the widespread prosperity of working-class families in the mid-twentieth century, when both income inequality and the marriage gap were low, is the true outlier in the history of the American family. In fact, changes in the economy, culture, and family formation in recent decades have been so great that Cherlin suggests that the working-class family pattern has largely disappeared.
Labor's Love Lost shows that the primary problem of the fall of the working-class family from its mid-twentieth century peak is not that the male-breadwinner family has declined, but that nothing stable has replaced it. The breakdown of a stable family structure has serious consequences for low-income families, particularly for children, many of whom underperform in school, thereby reducing their future employment prospects and perpetuating an intergenerational cycle of economic disadvantage. To address this disparity, Cherlin recommends policies to foster educational opportunities for children and adolescents from disadvantaged families. He also stresses the need for labor market interventions, such as subsidizing low wages through tax credits and raising the minimum wage.
Labor's Love Lost provides a compelling analysis of the historical dynamics and ramifications of the growing number of young adults disconnected from steady, decent-paying jobs and from marriage. Cherlin’s investigation of today’s “would-be working class” shines a much-needed spotlight on the struggling middle of our society in today’s new Gilded Age.
ANDREW J. CHERLIN is the Benjamin H. Griswold III Professor of Public Policy in the Department of Sociology at the Johns Hopkins University.
评分
评分
评分
评分
这本书给我最大的困惑在于其主题的模糊不清,或者说,是主题过于庞杂,以至于任何一个主题都没有得到充分的展开。它似乎想探讨权力、背叛、救赎、以及现代社会的异化,但每当故事深入到任何一个议题时,又总会被一股突如其来的、不知所云的象征主义插曲打断。举例来说,书中反复出现的关于“白色石膏像”的意象,初看或许带着某种隐喻的重量,但随着情节的推进,这个意象的指涉变得越来越松散,最后几乎沦为一种无意义的装饰。这种做法让读者感到自己被耍弄了,我们被邀请进入一个复杂的思想迷宫,但最终发现迷宫的出口只是通往另一个更小的、同样空旷的房间。如果一部作品的价值在于其能够引导读者思考和发现意义,那么这部作品的意义则像水银一样,你越想抓住它,它就越快地溜走,不留痕迹。我更希望作者能选择一个焦点,深挖下去,而不是泛泛而谈,将所有宏大的命题都轻轻拂过,不留一丝刻骨铭心的印记。
评分这部作品的叙事节奏实在让人捉摸不透,像是在一片浓雾中摸索前行,偶尔才能瞥见一角清晰的景象。作者似乎热衷于在无关紧要的细节上花费大量笔墨,那些对推动情节发展毫无助益的场景和人物对话,被描绘得栩栩如生,仿佛是刻意要考验读者的耐心。我读到一半时,几乎要放弃了,因为故事的主线被那些冗长、仿佛脱节的支线情节冲散得七零八落。人物的动机更是飘忽不定,前一章还坚决反对的事情,后一章却能轻易地反悔,而且解释得苍白无力。这使得整个阅读体验充满了挫败感,你始终在努力拼凑一个破碎的图像,却发现拼图本身就是残缺的。如果说文学作品需要某种内在的逻辑和连贯性,那么这部作品在结构上似乎有意地与之背道而驰,它更像是一系列片段式的梦境集合,美丽、怪诞,却难以捉摸其核心意图。即便是那些被誉为是“深刻”的哲学思考,也因为缺乏坚实的叙事基础而显得空洞和悬浮,如同空中楼阁,风一吹就散了。我期待看到一条清晰的河流,结果却只得到了一片沼泽地,每一步都走得异常艰难。
评分这本书的氛围营造是极其成功的,如果你喜欢那种永恒的、令人窒息的、充满历史厚重感的场景描写,那么你可能会非常享受。作者对建筑、天气以及特定地域的气味和声音的捕捉,达到了令人咋舌的精确度。你会清晰地“感觉”到那些阴冷的石头墙壁,闻到潮湿泥土和旧书页混合的味道。然而,这种沉浸式的环境描写,却反过来成为了人物行动的枷锁。人物似乎完全被他们所处的环境所定义和禁锢,他们没有真正的自由意志去反抗或改变自己的命运,只能被动地在那些宏伟的、令人压抑的场景中循环往复。读完之后,留在脑海中的不是某个角色的面孔或某句震撼人心的话语,而是对一个特定房间的印象,那种压抑的、光线昏暗的感觉挥之不去。对于我来说,文学的魅力在于捕捉人类精神的火花和挣扎,但这部作品更像是一部精美的、关于“如何描绘一个空置的、气氛浓重的房间”的教程,虽然技艺精湛,但终究缺乏了跳动的心脏。
评分从情节推进的角度来看,这部小说的结构简直是一场灾难,它更像是一份人物关系图谱的散文式记录,而非一个引人入胜的故事。很多关键性的转折点处理得极其草率,仿佛作者在写到某个地方时突然厌倦了,便随便找了个理由将人物推向下一个场景。例如,主角在一个关键性的财务危机中,竟然轻易地获得了一笔巨额资助,而提供资助的人的背景和动机,在后续章节中也只是被轻描淡写地提及了一笔带过。这种“都合主义”的安排,极大地削弱了故事的张力和可信度。读者对于人物的挣扎和最终的命运,也就失去了投入情感的动力,因为你知道,在作者的笔下,任何困难都可以被一股突如其来的、缺乏铺垫的力量轻易化解或加剧。我读小说追求的是一种“必然性”,即无论结局如何,我都相信人物的命运是他们一系列选择的必然结果。但在这部作品中,我只看到了作者随心所欲的干预,这使得整个阅读过程变成了一场对情节偶然性的无奈接受。
评分我必须承认,这部书的语言功力是毋庸置疑的,那种古旧的、带着某种仪式感的措辞,初读时确有令人惊艳之处。作者在遣词造句上的雕琢,达到了近乎苛刻的程度,每一个形容词的选择似乎都经过了深思熟虑,试图营造出一种宏大而又压抑的氛围。然而,这种对形式的过度迷恋,最终却吞噬了内容的血肉。很多段落读起来,就像是精美的乐器演奏着一段没有旋律的音阶,技巧高超,但情感内核却在哪里也找不到。人物之间的交流,与其说是对话,不如说是文学词藻的互相倾轧,他们说的话极其“漂亮”,但你却完全无法感受到他们之间真实的人性联系或情感波动。这种隔阂感让人在阅读过程中始终保持着一种疏离的距离,你像一个冷漠的旁观者,欣赏着舞台上演员们华丽的服装和做作的表演,却对他们所演绎的悲欢离合毫无共鸣。阅读体验因此变成了一种智力上的练习,而非心灵的触动,我试图去理解作者的“高明”之处,但最终只感到审美疲劳。
评分很多有用的背景资料。关于value和econoimic谁更重要的讨论很有启发性。最后一部分和后现代理论关于家庭变迁的讨论基本一样。
评分一部美国工人阶级家庭消亡史。通过市场与观念的交织组织起细密论述,解答了为啥这届年轻人不行。技术革命终结了产业工人的历史,working-class的内涵不复存在,取而代之的是the less-educated,是面目模糊的“底层”。最妙的是,expressive individualism能克未竟之功,结构性问题仍然能够以个体化的方式被体认。
评分一部美国工人阶级家庭消亡史。通过市场与观念的交织组织起细密论述,解答了为啥这届年轻人不行。技术革命终结了产业工人的历史,working-class的内涵不复存在,取而代之的是the less-educated,是面目模糊的“底层”。最妙的是,expressive individualism能克未竟之功,结构性问题仍然能够以个体化的方式被体认。
评分很多有用的背景资料。关于value和econoimic谁更重要的讨论很有启发性。最后一部分和后现代理论关于家庭变迁的讨论基本一样。
评分一部美国工人阶级家庭消亡史。通过市场与观念的交织组织起细密论述,解答了为啥这届年轻人不行。技术革命终结了产业工人的历史,working-class的内涵不复存在,取而代之的是the less-educated,是面目模糊的“底层”。最妙的是,expressive individualism能克未竟之功,结构性问题仍然能够以个体化的方式被体认。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有